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Style: Contemporary
Style: Abstract
Medium: Graphite
Borrowed Landscapes Study No.167/ NY, NYC, - Park Skyline
Located in Denver, CO
Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally de...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mixed Media, Acrylic, Postcard, Graphite, Tape

Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category

1980s Abstract Expressionist Graphite Mixed Media

Materials

Oil, Graphite

Spirit (mid century modern abstract painting by artist daughter of MOMA founder)
Located in New York, NY
Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...
Category

1970s Abstract Graphite Mixed Media

Materials

Oil Crayon, Graphite

First Floor Systems
Located in Kansas City, MO
Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...
Category

2010s Abstract Impressionist Graphite Mixed Media

Materials

Color Pencil, Graphite, Paint, Pencil, Newsprint, Cardboard, Watercolor,...

"Landscape" Black an White , Original Paint on Canvas Made in Italy
Located in Agrigento, AG
Landscape graphite dust on canvas relief paint original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painti...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Acrylic, Pigment, Graphite

Anonymous Self Portrait Collage 4
Located in New York, NY
Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Acrylic, Graphite

27x26" paper- Black Pearl - Mixed Media on Paper
Located in Los Angeles, CA
This is a beautiful piece by Alexis Portilla. The rich inky grey, black and white colors of this piece contrasts against the symbolism of vessels and pictographs. Vessels are a recur...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Ink, Mixed Media, Oil, Graphite

Abstract Painting on Canvas 'Untitled, (Some things will not change')
Located in Bruxelles, BE
Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...
Category

2010s Contemporary Graphite Mixed Media

Materials

Textile, Canvas, Cotton Canvas, Linen, Thread, Chalk, Wood Panel, Graphi...

Across the Universe - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has de...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gesso, Canvas, Acrylic, Graphite

"Untitled" mixed media work by artist Jim Stella on gallery-wrapped canvas
Located in Boca Raton, FL
"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Pastel, Mixed Media, Oil, Acrylic, Graphite

46 and 2, 2020, gel pen, graphite, paper, collage, skull, drawing, framed, web
Located in Jersey City, NJ
46 and 2, 2020, gel pen, graphite, paper, collage, skull, hammer, floral, flower, drawing, framed, web, pink, blue, yellow
Category

2010s Contemporary Graphite Mixed Media

Materials

Paper, Mixed Media, Pen, Graphite

Käepigistus Delf 7, Handshake Series
Located in Santa Monica, CA
Watercolor & Graphite on Canvas
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Canvas, Watercolor, Graphite

Origin #11, by Seiko Tachibana
Located in Palm Springs, CA
A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...
Category

Early 2000s Abstract Graphite Mixed Media

Materials

Charcoal, Mixed Media, Acrylic, Graphite, Monotype

Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Origin 8"-5, by Seiko Tachibana
Located in Palm Springs, CA
A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...
Category

Early 2000s Abstract Graphite Mixed Media

Materials

Charcoal, Mixed Media, Acrylic, Graphite, Monotype

Ongoing
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

Drawings from Mt Gretna, III
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

Anonymous Self Portrait XXXVI
Located in New York, NY
Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

"Butterfly no. 79" Drawing with Gold & White Gold Leaf by Alessandra Maria
Located in Chicago, IL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Biogram of the Kansas City Zoo
Located in Kansas City, MO
Artist : Kory Twaddle Title : Biogram of the Kansas City Zoo Materials : Pastel, oil pastel, acrylic, watercolor, gouache, tempera, glitter glue, foam stickers, paper, marker, color...
Category

2010s Abstract Graphite Mixed Media

Materials

Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...

TEXAS COWBOY
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

TEXAS COWBOY
TEXAS COWBOY
$2,320 Sale Price
20% Off
Drawings from Mt Gretna XXIX
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

Prodigal Son (VIII)
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

PL Bay
Located in New York, NY
Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches
Category

2010s Contemporary Graphite Mixed Media

Materials

Paper, Ink, Vellum, Graphite

Käepigistus Teal 1, Handshake Series
Located in Santa Monica, CA
Watercolor & Graphite on Canvas
Category

21st Century and Contemporary Abstract Graphite Mixed Media

Materials

Canvas, Watercolor, Graphite

Untitled (Linear Composition in Black Purple and Orange)
Located in Brooklyn, NY
Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...
Category

1970s Abstract Graphite Mixed Media

Materials

Acrylic, Gouache, Archival Paper, Graphite

The Milling Machine
Located in Santa Monica, CA
Graphite and charcoal on paper
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Paper, Charcoal, Graphite

Käepigistus Teal 2, Handshake Series
Located in Santa Monica, CA
Watercolor, Oil Pastel, and Graphite on Canvas
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Canvas, Oil Pastel, Watercolor, Graphite

Costa
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite

The Birth of Time - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has de...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Wax, Oil, Graphite

Abstract Physical Graffiti Painting by Joseph Conrad-Ferm, Mixed Media on Canvas
Located in New York, NY
Physical Graffiti by Joseph Conrad-Ferm, 2022 Acrylic, spray paint, oil crayon, graphite, color pencil, paint marker on Canvas W 60" x H 72" x D 1.5" Mixed media abstract painting ...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil Crayon, Spray Paint, Acrylic, Permanent Marker, Color Pencil, Graphite

Pair of Cut Paper Collages
By Ricardo Morin
Located in Buffalo, NY
A pair of original cut paper collages by Venezuelan American artist Ricardo Morin. Each of these works measure 7" x 5" unframed and come housed in a...
Category

1980s Abstract Geometric Graphite Mixed Media

Materials

Paper, Acrylic, Graphite

"Butterfly no. 81" Drawing with Gold & White Gold Leaf by Alessandra Maria
Located in Chicago, IL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category

1980s Abstract Expressionist Graphite Mixed Media

Materials

Oil, Graphite

BETWEEN A ROCK
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

BETWEEN A ROCK
BETWEEN A ROCK
$2,320 Sale Price
20% Off
Rick Lewis, Did You See the Moon Tonight? - Painting 2019
Located in Greenwich, CT
Did You See the Moon Tonight? Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in ...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil, Graphite, Pigment, Paper, Ink

NEGOTIATING TABLE
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

NEGOTIATING TABLE
NEGOTIATING TABLE
$2,320 Sale Price
20% Off
“Void (BDSM)” Contemporary Black Textured Impasto Abstract Painting
Located in Houston, TX
Black textured impasto painting by contemporary artist Paul Wiener. The work features a thick layer of intensely pigmented paint in which the viewer can ea...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Oil, Graphite

Rick Lewis, Mirror to the Sun III, Painting 2021
Located in Greenwich, CT
Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Rick Lewis, Mirror to the Sun, Painting 2021
Located in Greenwich, CT
Mirror to the Sun Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium o...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment

Anonymous Self Portrait XXXVII
Located in New York, NY
Anonymous Self Portrait XXXVII 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Th...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

Rick Lewis, Camael, Painting 1997
Located in Greenwich, CT
Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Oil, Graphite, Pigment

Rick Lewis, Mirror to the Sun V, Painting 2021
Located in Greenwich, CT
Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment

Anonymous Self Portrait Collage 4
Located in New York, NY
Signed and dated on label, verso Graphite and oil paint on double-sided frosted Mylar film This work is offered by ClampArt in New York City.
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Oil, Graphite

Rick Lewis, Untitled (Burnt Orange), Painting 2021
Located in Greenwich, CT
Untitled (Burnt Orange) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primar...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment, Spray Paint

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

CLOUDS AND CHICKENS
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

CLOUDS AND CHICKENS
CLOUDS AND CHICKENS
$2,320 Sale Price
20% Off
Don’t Go Breakin My Heart - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gesso, Canvas, Acrylic, Graphite

BLUE HAND
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

BLUE HAND
BLUE HAND
$2,320 Sale Price
20% Off
WALKING THROUGH IT
Located in Vancouver, CA
This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...
Category

Early 2000s Abstract Expressionist Graphite Mixed Media

Materials

Ink, Acrylic, Gouache, Rag Paper, Graphite

WALKING THROUGH IT
WALKING THROUGH IT
$2,320 Sale Price
20% Off
Rick Lewis, Mirror to the Sun II, Painting 2021
Located in Greenwich, CT
Mirror to the Sun II Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Rick Lewis, Untitled (Blue), Painting 2025
Located in Greenwich, CT
Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Scoli Acosta Large Contemporary Mixed Media Painting LA Art Red Planet Collage
Located in Surfside, FL
Shadow of Opportunity on Red Planet Mixed media Framed 39.3 X 50 sheet 32.4 X 42.3 Hand signed, dated and titled by artist. (with a location of LA noted) This came with a group of 4...
Category

Early 2000s Contemporary Graphite Mixed Media

Materials

Adhesive, Mixed Media, Acrylic, Gouache, Color Pencil, Graphite, Photogram

"Cronus View from the Cave" David Hare, Abstract Surrealist Composition
Located in New York, NY
David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...
Category

1970s Abstract Graphite Mixed Media

Materials

Paper, Ink, Graphite

Joy - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gesso, Canvas, Acrylic, Graphite

Dreamtime - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has de...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gesso, Canvas, Acrylic, Graphite

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Leslie : mixed media work of art
Located in New York, NY
Artwork by New York artist Gail Postal. Graphite, Oil Paint, Swarovski Crystals. Postal has had two major influences on her work – old hand tinted black and white Japanese photogra...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mixed Media, Oil, Graphite

Still Life 008
Located in New York, NY
Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper
Category

2010s Contemporary Graphite Mixed Media

Materials

Acrylic, Graphite, Paper, Coffee, Pastel, India Ink

"Control C" Colored pencil, pen, graphite on paper
Located in Philadelphia, PA
Original drawing by Lauren Rinaldi float mounted in the pictured simple white frame measuring 17in x 14in. This is an original artwork made with colored pencil, ballpoint pen, graphi...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Archival Paper, Ballpoint Pen, Graphite, Oil Pastel

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