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Valerie B HirdMAQUETTE FOR ADULT ALICE ABROAD2019
2019
$10,000
£7,679.04
€8,809.07
CA$14,051.17
A$15,736.43
CHF 8,211.01
MX$192,213.70
NOK 104,467.94
SEK 98,473.55
DKK 65,740.99
About the Item
VALERIE HIRD
MAQUETTE FOR ADULT ALICE ABROAD, 2019
paper, watercolor, ink pencil, wood, nails, foam care, PVA glue
17 x 9 x 2 1/2 in. 43.2 x 22.9 x 6.4 cm.
Shadowbox
- Creator:Valerie B Hird (July 6, 1955 -, American)
- Creation Year:2019
- Dimensions:Height: 17 in (43.18 cm)Width: 9 in (22.86 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU8510480492
Valerie B Hird
Valerie Hird’s body of work is a visual compilation of the experiences, associations and memories collected in her trips through the Middle East, Northern Africa, Spain and Turkey. Hird creates a fascinating topography of her own through the landscapes conquered by her suggestive memories. Her work is organic, evocative, and extremely personal in its flow. We can see this distinct essence in her representations of the rocky arid mountains and the aroma of the perfumes sold by street venders. The elements, colors and patterns absorbed from her trips, take over the surface of her work. The cypresses from Granada are invaded by the Alhambra glazed tiles; the Turkish mountains adopt the kilim patterns; the nomadic people performing their daily tasks are camouflaged by the colors of their fabrics in the landscapes behind them. Not only the imagery itself, but the history, literature, myths and traditions from these countries are incorporated in her work. The meditation and investigation of creational myths from all over the world have led her into creating a multi-dimensional cosmology of her own, centered on the creation of the natural world. The connections between the cultures and their environment are processed in Hird’s paintings as a meditation on our contemporary world, leading to a growing concern with religious and cultural ambiguities. Using quotes and messages from extremist sects and cultural ideas from both the East and the West, she analyzes and unites them through their similarities rather than their differences. There remains a certain aesthetic connection in the representations of the countries she has visited, intertwined by the projections of her inner landscape. Hird’s work considers and connects cultural complexities, and presents them to the public to travel with her through their contemplation. Valerie Hird graduated with a BFA from the Rhode Island School of Design and a MFA from Vermont College. In 2008 she was granted an award from the Community Foundation of Vermont. Hird has worked and travelled throughout the Middle East, North of Africa, Southern Europe, Central Asia, and South America. Likewise, she has exhibited widely in the United States and abroad. Her work belongs to such public and corporate collections as The Rhode Island School of Design, Providence RI; The Fleming Museum, Burlington VT; The Exxon Corporation, Dallas, TX; and Pfizer Inc.; among others. Born in Massachusetts in 1955, Hird moved to Vermont in 1979, where she currently lives and works.
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From Wikipedia, the free encyclopedia
Melissa Zink
Born 1932
Kansas City, Missouri
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Occupation(s) Artist, Sculptor
Melissa Zink (1932-2009) was an American artist. An active member of the Taos, New Mexico art scene, she blended storytelling with sculpture, and described the enchantment of books and the imaginary worlds they evoked as the focus of her work.[1] Critics lauded her as a "late bloomer" because she only began to exhibit and sell her multi-media works of ceramics, cast bronze, and collage, when she was in her forties.[2] She became known for her "three-dimensional stories" and "dream-like dioramas" in clay, interior scenes that blend whimsy with surrealism.[2][1] Later she cast large bronze statues of human figures embossed with texts drawn from dictionaries and illuminated manuscripts.[2] In 2001 she won a Governor's Award for Excellence in the Arts from the state of New Mexico.[3] In 2021, one of her works featured in a special exhibit at the New Mexico Museum of Art entitled, "Southwest Rising: Contemporary Art and the Legacy of Elaine Horwich," which featured a group of artists in the 1970s and 1980s who together launched a movement described as "new Western art" or "Southwest pop".[4]
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Melissa Zink was born in Kansas City, Missouri. She attended the Emma Willard School, Swarthmore College, the University of Chicago, and the Kansas City Art Institute.[5] She later admitted that her professors' efforts to push her and her peers towards abstract expressionism during the 1950s deterred her from pursuing a career in art.[2] Instead she worked for many years by designing picture frames and operating an embroidery and craft shop while continuing to paint and experiment with various media in her free time.[6] In her forties, she married Nelson Zink, who encouraged her to pursue her artistic ambitions.
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In 2000 Zink represented New Mexico at an exhibit of women artists called "From the States" held at Washington, D.C.'s National Museum of Women in the Arts.[1] In 2006 the Harwood Museum of Art in Taos staged an exhibition on her work.[8] In 2009, following her death, the Taos Art Museum and Fechin House staged a memorial exhibition entitled, "Melissa Zink: Her Singular World."[9]
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