Ai Weiwei

Study of Perspective in Glass (Red) by Ai Weiwei–Contemporary, 21st Century

2020

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Rabbit (Violet) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre. “One of the things that I’m most proud of is making work that lets viewers not feel intimidated by art, but feel that they can emotionally participate in it through their senses and their intellect and be fully engaged”. — Jeff Koons The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decorations, the artist is proud to make art that is not intimidated for the viewers. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce...

Donald Sultan, White Tulips and Vase, April 4, 2014 Contemporary, 21st Century, Limited Edition Painted aluminum on polished aluminum base Edition of 25 61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.) Incised with the artists initials, titled and dated; accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. White Tulips and Vase, April 4, 2014, belong to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. One of the mainstays of making art is that you don't think of the new ideas, you discover them. "One of the mainstays of the making art is that you don't think of the new ideas, you discover them." — Donald Sultan White Tulips and Vase, April 4, 2014, represents Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The sculpture is made from painted aluminum on a polished aluminum base. The ephemeral shape of the flowers is gracefully combined with the weighty aluminum manifesting the synthesis of the natural and the industrial typical to Sultan´s work. The sculpture is incised with title, date, and artist initials, it is as well stamped with the edition number, publisher, and artist copyright stamp on the base verso. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Tulips Coupe Plate - Jeff Koons, 21st...

Balloon Swan (Magenta) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signe...

*End Of The Year Sale - This Price Is The Lowest - Take Advantage of It* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending gift that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull encrusted with genuine Swarovski and Czech crystals. This is one of the best and most unique super gift for this year. The ultimate homage to the one and only Sidney Poitier...

Discover the captivating interplay of light, symmetry, and modern design in "Square Root," a striking geometric sculpture by contemporary artist Jacob Barfield. Crafted with precisio...

Murano Glass. Edition of 28/30 ex. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between c...

Murano Glass. Signed and numbered EA 2/3. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...