Oil Pastel More Art

No debió salir de su Casa esa Mañana sin su Amuleto Chino, 2011 Acrylic, graphite, oil pastels & transfers on wood Image size: 47.6 in. H x 48 in. W Frame size: 48.6 in. H x 49 in. ...

Untitled, 2020 Mix media Image size: 24 in. H x 17.91 in. W Collage, image transfer on acetate film, nylon cables ties, oil pastel Wood panel One of a Kind _________________________...

Summer evening 100x80 cm

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...

Still life with papaya 100x100cm

Receding Tide, Rye, Oil Pastel with Pencil Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil 25 x 31 cm 9 7/8 x 12 1/4 in signed, dated, and titled; further inscribed verso Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

This delicate slip dress painting features an interplay of tone-on-tone paint and textile with an outcome both expressive and refined. The combination of intricate detail and intuiti...

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy War...

This painting evokes a grace that feels both intimate and timeless. The combination of intricate detail and intuitive mark-making communicates a feminine, ethereal impression. A restrained neutral palette with a hint of blush adds understated elegance. Tone on tone textures are built up using lace textile...

Layers of paint build up this soft grey palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Upon ...

Receding Tide (Deal, Kent), Oil Pastel Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil Dimensions: 25 x 31 cm 9 7/8 x 12 1/4 in Signed,...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

Woven silk and embroidered textiles have been popular in China and sought after the world over for thousands of years. Embroidered textiles are called xiuhua (or zhahua) ("making dec...

This delicate slip dress painting features an interplay of tone-on-tone paint and textile with an outcome both expressive and refined. The combination of intricate detail and intuiti...

This painting evokes a grace that feels both intimate and timeless. The combination of intricate detail and intuitive mark-making communicates a feminine, ethereal impression. A restrained neutral palette with a hint of blush adds understated elegance. Tone on tone textures are built up using lace textile...

Contemporary collage by Anne-Joëlle Galley. Anne-Joëlle’s works predominantly with collage, collage-paintings, paintings, and monotypes. The artist studied in Europe, joining various painting ateliers and art courses such as Sotheby’s and ICA - Institute of Contemporary Art/Christies in London.  In the late 90s’, she enrolled at “The Art Students’ League of New York”, where she first became involved with printmaking. Galley uses various techniques and materials, and color remains her signature.  The artist has participated in more than 50 group and solo exhibitions in the US, Mexico, Italy, England, Switzerland, Spain, and Romania. In 2005, she was selected to participate in the I Biennale of Etching and Graphic Work organized by the Cultural Council of Cáceres’ Town Hall, in Spain. That year, she also participated in the Arad International Biennale of Contemporary Art (Arad, Romania). In 2007, she participated in the Florence Biennale of Contemporary Art in Italy. More recently, in 2019, she was invited to participate in the Exhibition “Where I come from: The Works and Influences of Charles Criner...

Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) integrates practices of poetry, performance, Conceptualism, and te...