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Alex Colville
Study for Three Sheep

1954

$25,000List Price

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Untitled
By Jack Youngerman
Located in Toronto, Ontario
We are excited to be offering this exemplary and impactful gouache on paper by one of Caviar20's favorite mid-century American artists: Jack Youngerman. This work is a striking exa...
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1960s Abstract Abstract Paintings

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Paper, Ink, Gouache

Untitled Tapestry Sketch
By Michael Snow
Located in Toronto, Ontario
Michael Snow (1929-2023) was one of the most remarkable multi-disciplinary Canadian artists. Renowned for his wide-ranging body of work, from experimental films and jazz recordings ...
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1970s Abstract Abstract Paintings

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La Plonge #23
By William Perehudoff
Located in Toronto, Ontario
William Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work exemplifies how color field painting was expressed in Canada. Like some of his contemporaries, he was encouraged and guided by legendary New York critic Clement Greenberg. Perehudoff spent several summers at the University of Saskatchewan's legendary Emma Lake Artist's Workshop where he worked and studied with Jules Olitski and Kenneth Noland during the 1960s. Perehudoff is known for his simple and exuberant compositions that juxtapose and celebrate color. His series "La Plonge...
Category

1980s Color-Field Abstract Paintings

Materials

Gouache

East Wall
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...
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1980s Post-Modern Figurative Drawings and Watercolors

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Gold Leaf

Heart Factory
By Joyce Wieland
Located in Toronto, Ontario
Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional...
Category

1960s Conceptual Abstract Paintings

Materials

Ink, Watercolor

Woman in a Tantrum
By Dorothy Dehner
Located in Toronto, Ontario
Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture. Dehner's legacy has been overshadowed for many years by her ex-husband, the acclaimed sculptor David Smith. Stifled by their tumultuous relationship, Dehner only fully committed to her practice after divorcing him in 1951. This break was highly fruitful for her artistic output and reputation in the following years. After the divorce, Dehner refined her artistic voice and expanded her practice to include printmaking and sculpture. Her new-found independence and renewed ambition led to a pivotal relationship with the esteemed printmaking studio Atelier 17. Working there she formed a close and enduring friendship with Louise Nevelson. Today Dehner has been re-embraced and repositioned in the American art canon. Her work is best understood and appreciated in the context of not only David Smith but other artists dedicated to sculpture including Lee Bontecou, Louise Bourgeois, and of course Louise Nevelson. This energetic and hypnotic work on paper is somewhat of a departure from Denher's structured and intricate approach. Bold, frenetic strokes of ink loop chaotically across the surface, revelling in a sense of fluid dynamism that is in contrast with the artist's architectural arrangements. While it is notably looser and bolder then some of the drawings we expect from this era, we find the artist creating forms that are a harbinger of the muscular sculpture she would create in the following decade. Click here to see an example of a bronze sculpture from 1966 sold at Wright auction house...
Category

1950s Abstract Expressionist Abstract Drawings and Watercolors

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Ink, Watercolor

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