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Alexander OligerovBig fish. oil on canvas, 100 x 110 cm
$3,525
$4,70025% Off
£2,672.84
£3,563.7825% Off
€3,087.10
€4,116.1325% Off
CA$4,945.79
CA$6,594.3925% Off
A$5,509.50
A$7,34625% Off
CHF 2,906.17
CHF 3,874.9025% Off
MX$66,804.39
MX$89,072.5225% Off
NOK 36,970.73
NOK 49,294.3125% Off
SEK 34,440.58
SEK 45,920.7725% Off
DKK 23,052.55
DKK 30,736.7325% Off
About the Item
Big fish. oil on canvas, 100 x 110 cm
feel free to request additional photos and information
Alexander Oligerov paints not with paints, but with dreams, capturing them on canvas. His canvases are a fascinating fusion of abstraction and reality, where color pulsates with life, and lines dance in a whirlwind of emotions. The artist's trademark is illegible letters, organically woven into the composition - a personal autograph imprinted on the edge of consciousness. Oligerov is a conductor of images, like an archaeologist digging up the fragments of our unfulfilled dreams under a thick layer of everyday life. His art is a quiet, poignant music of missed opportunities, listen to it.
About the Seller
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
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He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
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But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia
1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia
1990 - Exhibition of Van Gogh's memory, "Palette" , Russia
1991 - Exhibition Gallery Palette
1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia
1992 - Exhibition at Gallery Pinatin, Berlin.
1993 - Exhibition of Piraeus, Athens, Greece.
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