Phantasmagoria

2023

James Siena Aoxomoxoa, second version, 2021 Acrylic and charcoal on linen 36 x 48 inches 91.4 x 121.9 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable process of creating intricate abstractions, driven by a practice of self-imposed rules termed visual algorithms. The artist preemptively determines his marks and actions and repeats them procedurally as his works result in intensely concentrated, vibrantly colored, freehand compositions. His oeuvre often references diagrams, complex puzzles, labyrinths, and mapping, resulting in inward meditations that actively engage traditions of pattern and mark-making in an ongoing exploration of scale, materiality, and interaction of color. Maneuvering across a diverse range of mediums, including painting, sculpture, drawing, lithography, etching and woodcuts, his work has placed him firmly within the canon of contemporary American art...

James Siena Infolded Ridgeling, 2020 Charcoal and acrylic on linen 36 x 48 inches 91.4 x 121.9 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable process of creating intricate abstractions, driven by a practice of self-imposed rules termed visual algorithms. The artist preemptively determines his marks and actions and repeats them procedurally as his works result in intensely concentrated, vibrantly colored, freehand compositions. His oeuvre often references diagrams, complex puzzles, labyrinths, and mapping, resulting in inward meditations that actively engage traditions of pattern and mark-making in an ongoing exploration of scale, materiality, and interaction of color. Maneuvering across a diverse range of mediums, including painting, sculpture, drawing, lithography, etching and woodcuts, his work has placed him firmly within the canon of contemporary American art...

James Siena Sretrisths, 2018 Acrylic and charcoal on canvas 90 1/2 x 70 1/4 inches 229.9 x 178.4 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable...

James Siena Lovvellaacecceaddaell, 2019 Acrylic and charcoal on canvas 90 1/2 x 70 1/4 inches 229.9 x 178.4 cm Signed, titled and dated (verso) -- James Siena is celebrated for his...

"Water Wonders" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues, t...

Cool abstract piece with hues of white, black, silver and red. About the artist: Michael has been working as a painter and designer for over 20 years. His work has been exhibited in various galleries and museums throughout the country including The Carnegie Museum of Art, The Austin Museum of Digital Art, The Westmoreland Museum of Art, UICA/Michigan, and The Mattress Factory. His paintings have been featured in Atlantic Homes and Lifestyles, Beaux Arts, Table Magazine, Perlora Contemporary Home Magazine, The Wall Street International Magazine and the cover of Housetrends. His work will also be featured in Design Within Reach’s 2019 Catalog. His clients have included The Museum of Contemporary Art in San Diego, Nintendo, IBM, Sony Pictures and Panasonic. His work has been published widely in various publications including TIME, The Wall Street Journal, How Magazine, Graphis, London’s Computer Arts, BIg Magazine, The Book of Probes by Marshall Mcluhan (designed by David Carson), Big Magazine and Speak. His collaboration with José Muniain on the short film installation “Navarro”, which documented his painting process, was a finalist in the D.C. Independent Film Festival. Some recent projects include the main lobby interior collections for Bakery Living and Bakery Living Blue, The Hardy House at Nemacolin Woodlands, large scale works for The PPG Paints Arena and commissioned work for The New York Pro Surf Competition and The Quiksilver Pro France. His work has also featured prominently on the sets of several feature films and television series, including Trouble With The Curve, The Last Witch Hunter...

Untitled is an artwork realized by Martine Goyens in 2018. Mixed media on canvas. Handsigned in the lower margin and on the back. 40 x 50 cm. Very good conditions.