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Alexandra Rozenman"Sound of the Yellow Light", Surreal, Piano, Purple, Black, Oil Painting, 20192019
2019
About the Item
Rozenman’s painting “The Sound of a Yellow Light” is a 16 x 16 x 2 inch oil on canvas. In this open but comfortable large open space walls are purple, ceilings high and floors shine yellow reflecting the sunlight. The bright yellow sun reflects its whole circle on the floor. There must be an open ceiling above us. Purple walls are all different purples reflecting each other and the yellow. Colors are so fascinating that it takes a minute for us to notice a big black piano in the center of the composition. The piano player has already left or has not arrived yet and hopefully, will come soon and play this well tuned beautiful instrument with light, sound, and music dancing together. This 16 x 16 x 2 inch square painting is titled and dated on the back and initialed on the front. Sides are painted grey.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2019
- Dimensions:Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Rozenman_Sound of the Yellow Light1stDibs: LU50035512942
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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