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Alexandra Rozenman"Sunset with Sunny Side-Up, Black Pepper and a Butterfly", Oil Painting, 20232023
2023
About the Item
Alexandra Rozenman's painting, "Sunny Side-Up, black pepper and a Butterfly" is a 24 x 24 inch oil painting on canvas. The still-life on a window-sill has a sunset view with reds and oranges. Curiousity is created about which city are we in and a playful story is presented of fried eggs on a white plate with a blue line, black pepper and a butterfly. The more you look, the more curious it will make you feel.
Rozenman's creative work seeks to explore and articulate the intricate relationships between identity, culture, and memory, particularly as they relate to the experiences of migration and displacement. Through her innovative use of diverse materials and techniques, she captures the nuanced experiences of individuals navigating their cultural identities in an ever-changing world.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2023
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Rozenman_Sunset with Sunny Side-Up1stDibs: LU500315882462
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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