André Cottavoz

Nu Nacré or Nude in Mother of Pearl

Della-Volpe early abstractions are rare and good. Even at this early time he abstracted off "beach" elements such as shapes and colors. With minimal shapes here he creates a compos...

This Celestial Sky painting is what Michael Forster is most celebrated for in his highly interesting career spanning working in Mexico and Canada. The brushwork creates a reverberati...

An amazing and graceful panel that has an elevating sense of movement and nature as described by its title "Soaring". Intricate taping off of triangles in this work in varying sizes...

Holty did a series of works that explored the use of varying tones of Gray with other colors. This was done during his Colorfield foray as he pioneered this movement along with such...

Nerea Caos (1993) - to all my lovers - Oil on canvas Canvas size 60X60 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art student...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

Antique American modernist oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 21 inches overall and 30 by 20 painting alone.

An original oil on un-stretched canvas which was featured in the artist's retrospective exhibition at The Burchfield Penney Art Center. Jackie Felix (1929-2009) earned her Bachelo...