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Brooke MajorBrooke Major, "The Race", 10x39.5 Sculptural White Equine Horse Oil Painting
$5,800
£4,434.41
€5,107.54
CA$8,127.58
A$9,073.68
CHF 4,754.47
MX$111,070.71
NOK 60,381.82
SEK 56,932.39
DKK 38,118.12
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About the Item
"The Race", 10x39.5 is an oil painting on canvas by the artist Brooke Major. Depicted in white is a line wild horses mid run. The artist uses layers and layers of white oil paint to meticulously carve into and create a three dimensional representation of horses. Expressive brush strokes and varying thickness of paint creates a dramatic feeling. While the primary use of white adds a classic and calming effect.
About the Artist:
A native of Atlanta, Georgia, Brooke Major moved to France over twenty years ago to follow her two passions: painting and breeding horses for show jumping. Today, her painting studio is the grain loft of an 18th-century farmhouse on the beach in Normandy, where she paints and raises her horses. Brooke works in oil paint using palette knives to make paintings that create the effect of low-relief sculptures. Quite often, her images are white on white or very lightly tinted against a white background. In choosing her subjects, Brooke revisits her childhood experiences of traveling, horses, and architecture. Many of her architectural paintings celebrate the priceless architectural legacy of Normandy.
- Creator:Brooke Major (1979, American)
- Dimensions:Height: 10 in (25.4 cm)Width: 39.5 in (100.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU1462215704762
American artist born 1979 and native of Atlanta, GA, Brooke Major has been living and working as a professional artist and sharing her time between the USA (Georgia) and France for the past 20 years. As a child, Brooke has always been top of her class in drawing and painting, as well as an avid equestrian, which led her to move to Normandy to breed and raise them for the sport of showjumping. She moved initially to Paris to study political science at an American university, but felt herself drawn more towards the arts and followed auditing classes at the Beaux Arts school in Paris. Her political science studies led her to work for over a year and a half as an intern at the US Embassy in Paris. Following her two childhood passions, art and horses, Brooke moved to Normandy and started her dream of breeding show-jumpers and set up her art studio in a grain loft in a 18th century farmhouse on the beach where she creates her work and raises her horses. Brooke sculpts oil paint, using pallet knives challenging both techniques of painting and sculpting and exemplifying light and shadow. She chooses all of her subjects from her childhood experiences: travelling, horses and architecture. Brooke also depicts her everyday life in her recent subject of her landscapes of the typical Normand countryside.
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