Candice EisenfeldThe Flood, Original Painting2020
2020
About the Item
Artist Comments
Artist Candice Eisenfeld shares the myth of The Dancing Birds and the Flood, "A young shepherd in China interpreted the dances of birds in the sky. He warned the elders in his region about a looming flood, but no-one believed him. Taking matters into his own hands, he made 1000 cranes from paper, working for weeks with little sleep with the wish to keep his townspeople safe. When the floods came, his town was spared heavy destruction while nearby villages were swept away. The young shepherd was later called Yu the Great."
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines, and published in American Art Collector, Phoenix Home and Garden, and Southwest Art magazines. When she's not painting, Candice enjoys stand up comedy, volunteering, sewing and is a self-described "news junkie."
Words that describe this painting: origami, Chinese, Asian, birds, hummingbirds, mythology, flying, animals, representational, contemporary, acrylic painting, black
The Flood
Candice Eisenfeld
Acrylic painting on wood
Natural wood edges
Varnished and Ready to hang
One-of-a-kind
Signed on back
2020
36 in. h x 36 in. w x 3 in. d
20 lbs. 0 oz.
- Creator:
- Creation Year:2020
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The Flood. Candice Eisenfeld. Acrylic painting on wood. Natural wood edges. Varnished and Ready to hang. One-of-a-kind. Signed on back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 703171stDibs: LU92217485572
- ShippingRetrieving quote...Shipping from: Medford, MA
- Return Policy
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A paper crane flies among a flock of birds against a dusky warm gradient. "The title of this work, 'This Is Not a Flock of Birds,' is a nod to Belgian surrealist painter René Magritte," shares artist Candice Eisenfeld. She takes pleasure in letting her viewers create their own meanings inspired by her work.
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...
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Artist Candice Eisenfeld presents a painting within a painting emanating warmth and light from the middle. "These paintings are meant to explore levels of meaning as they connect our personal experiences to a world severely distanced from ourselves," states Candice. Her interest lies in understanding what is at the core of human nature—desire, curiosity, love, and hope. "It is narrating a personal archeology of the id while simultaneously relating to other people what is timelessly universal."
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As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...
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