English Victorian Oil

The Cavaliers Pets Period 19th Century English Oil Painting Cavalier Spaniels

Head Portraits of Cavalier Spaniel Dogs by Henry Percy, British early 20th century signed oil on board, framed framed: 7 x 9 inches board: 5 x 7 inches provenance: private collection...

The Young Puppy British School, 19th century indistinctly signed with a monogram oil on canvas, framed framed: 18.5 x 21 inches canvas: 14 x 16 inches provenance: private collection,...

Spaniels Putting up a Pheasant English sporting artist, mid 19th century Circle of George Armfield (1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 14 x 18 inches pro...

Portrait of Two Dogs English artist, mid 19th century oil on canvas, unframed Canvas: 18 x 14 inches Provenance: Private collection, England Condition: The painting is in good condit...

A very fine study of two King Charles Spaniels resting on a plush red velvet armchair. Each with a blue ribbon around their necks that the artist has captured with fine detail. Well ...

'The Cavalier's Pets' by Sir Edwin Henry Landseer was exhibited in 1845, and is now in the collection of the Tate Museum of Art n London. This is a fine oil painting copy of the famous Landseer painting. The Spaniels are an early breed of the King Charles Cavalier Spaniel. Situated on the red tablecloth beside the hat and feather, this is a well executed work with all the hallmarks of a Victorian 19th century painting...

A charming late 19th-century oil on board painting depicting two King Charles Spaniels nestled in a richly appointed interior, painted in the manner of Sir Edwin Landseer. Executed c...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...