Framed Animal Paintings

Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed in lower right

In this contemporary surrealist oil painting by Thomas Broadbent, a bison is depicted standing atop a white upholstered, black gold-gilded chaise lounge. Birch wood branches and sto...

Lilian Cheviot (1876- c.1936) The sage signed 'L. Cheviot' (lower right) oil on canvas 12 x 10 in. (30.5 x 25.3 cm.) with frame 15 ¾ x 13 ¾ in. (40 x 35 cm.) Renowned for her sens...

Artist: Slonem, Hunt Title: Red Clover Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Prove...

Both pictures unsigned. Presented in period water-gilded Watts-style frames, these two works are highly decorative and full of character, and excellent examples of Edward Aistrop's ...

Renowned artist Hunt Slonem's "August" is a 20x16 black and white oil painting on wood board of a single contemporary abstract rabbit in black against a white background. Signed to v...

Sara Scribner's (US based) "Their Song Welcomed the Night" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in ...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Exquisite antique painting of terrier dogs by Jacques Cartier (1907 - 2001. Oil on board. Framed. Image size, 15H x 18L.

Fishing Amongst the Reeds by Sidney Richard Percy British, 1821-1886 Oil on canvas Canvas size: 10 x 17 inches Framed size: 13.5 x 20.5 inches Signed lower right

Signed By The Artist on the Bottom Left

D. GRIFFIN This is a pseudonym of George Armfield. Picture Size: 14 x 18" (36 x 46cm Outside Frame Size: 21 x 25" (54 x 64cm) Signed and dated bottom left Free Shipping He was bor...

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspir...

Jean Matet (French, 1870-1936) 'Beauty' - a mischievous terrier signed and dated ‘J. Matet' (lower left) and inscribed and dated 'BEAUTY. 1898’ (lower right) oil on canvas 13 x 9 ⅞ i...

Artist: Slonem, Hunt Title: Pink Panther Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed by Artist on Verso Edition...

Artist: Slonem, Hunt Title: Moreover Golden Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso ...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

Beth Carlson's dramatic fox painting, titled "Reynard," emphasizes the fox's power of wit over strength. The cunning fox is set against a beautiful snowy winter backdrop. The fox pa...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

"Apaches" is an oil on canvas painting by Olaf Wieghorst. The painting is signed on the lower left, "O-Wieghorst". The framed piece measures 25 1/2 x 29 3/4 x 2 in. “When the time comes for me to put away my palette and unsaddle my pony for the last time, I hope that my canvases will in some small measure add to the historical recording of an era, the cowboy, and the great American West.” ~ Olaf Wieghorst Wieghorst worked with the mounted patrol of the 7th Cavalry Regiment of the United States Cavalry (1920-1922) with occasional interludes as a wrangler on ranches in the western states. Wherever he went, he sketched and painted the Western culture he loved, often selling his work as calendar and magazine illustrations. His work appeared in Zane Grey...

Birds on Pond European artist, indistinctly signed late 20th century oil on canvas, framed framed: 21 x 29.75 inches canvas: 19.75 x 28 inches provenance: private collection conditi...

Signature: Signed Lower Left Medium: Oil on Board Frame: Gilt Frame with Decorative Elements and Linen Inset Brightly colored and bold illustration of an American hunting scene...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

The Dismounted Hunter, Sir William Rowley, circa 1800 attributed to DEAN WOLSTENHOLME (1757-1837) Large circa 1800 English Hunting scene of a dismounted huntsman, horse and terrier...

Vintage Lakeland Landscape Painting with Sheep by 20th Century British Artist, Peter McKay Art measures 20 x 16 inches Frame measures ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

This joyful painting was inspired by a David Attenborough program! I was drawn to the symmetry of the reflections in the still water. The colours and composition make a fun yet peace...

John Sargent Noble R.B.A (1848-1896) Guardians of the flock signed 'J.S. Noble' (lower right) Oil on canvas Canvas Size 14 x 18 in Framed Size 17 1/2 x 21 1/2 in Provenance The Coll...

6041 French Equestrian circus performers 1955. Framed Signed Image size 12.5x15.5"

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a soft Pink background with thick use of paint. It ...

Do Astronauts Need Art? (#3) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on an ultramarine blue background with thick use of pa...

Artist/ School: J. Langlois, British 1855-1904, signed lower corner Title: Chasing the Mouse! Medium: oil on board, framed framed: 6 x 7.5 inches board: 4.75 x 6.75 inches Proven...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Oil on canvas. Signed, dated 1863 Provenance: Grubbs Auction, June 8, 1984 Christie’s, New York
; Bartlett Burnap Turner was a British artist who has been referred to as “Horse Fa...

The most ordinary rural landscape. A quiet life among nature. This place is a good place to relax after the hustle and bustle of the city. • Includes a certificate of authenticity si...

Hunt Slonem - Symphony Winter Days Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist ...

Oil measures 30x30 cm. Frame measures 52x52 cm. He was born in 1951. Under the direction of the teacher Pedro Bermejo, he began his artistic career, quickly standing out and observing in his works an unusual mastery of drawing. A highly mature painter who has known how to stop time in all his works. His themes are preferably costumbrist, although in his work it is usual to see 18th century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, due to the theme, of Maestro Palmero...

An charming 19th century dog painting depicting a mother dogue and her exuberant topsy turvy pups by the farmhouse barns or cowsheds , with a young child given them a fuss! Dating from ca 1860-70, the oil on canvas is unsigned, but bears on the verso a rather special stamp from colour and artists supplies merchant Paul Durand-Ruel (1831-1922). Paul Durand-Ruel is known as the legendary art dealer who launched, almost single handedly, the Impressionist movement. He represented Monet, Pissarro, Sisley, Renoir in his Paris, London and New York Galleries. Like his father Jean Marie Durand, Durand Ruel had started as both a merchant of art supplies, and dealer. Often, these two activities overlapped, as he would supply cash strapped artists who left paintings as security. Paul Durand Ruel was one of the first to discover Barbizon artist...

Head Portraits of Cavalier Spaniel Dogs by Henry Percy, British early 20th century signed oil on board, framed framed: 7 x 9 inches board: 5 x 7 inches provenance: private collection...

Artist: Slonem, Hunt Title: Spotted Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Un...

"Love Being Hitched" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage in a snowy landscape. This Painting measures at 30.5 x ...

Set of twelve antique Chinese painted bird studies on pith paper Chinese, 19th Century Panel: Height 20cm, width 32cm Frame: Height 35.5cm, width 47cm, dept...

Frank Hoffman (1888-1958) New Mexico, Illinois Artist Image Size: 27 x 41 Frame Size: 37 x 50 Medium: Oil Circa 1930s - 1940s "The Encounter" Indian & Bear Frank Hoffman (1888-1958) Growing up in New Orleans where his father raced horses, Frank Hoffman developed a great love for these animals, which was reflected in his paintings. He worked as an illustrator for the "Chicago American" newspaper, which gave him an opportunity to draw many subjects from opera to prize fights, and eventually he became head of the department. During that time, he took formal art training from J. Wellington Reynolds, a portrait painter. In 1916, having been rejected for military service because of poor eyesight, he went West and lived with cowboys and Indian tribes and served as public relations director for Glacier National Park. Eventually he settled on a ranch near Taos, New Mexico, and became part of that art colony and studied with Leon Gaspard, who encouraged him to use color freely. Advertisers including General Motors, General Electric, and the Great Northern Railway hired him because they loved his bold, broad brush work and striking colors. He also did magazine illustrations, specializing in western subjects. Because of the spaciousness of his ranch that he called Hobby Horse Rancho, he kept live models of cow ponies, thoroughbred horses, longhorn steers, several breeds of dogs, eagles, a bear and burros. From 1940 Brown & Bigelow Publishing Company of St. Paul, Minnesota had him under exclusive contract, and during the next 14 years, he produced 150 paintings for that company. Source: Walt Reed, The Illustrator in America, 1860-2000 Known as a traditional Western illustrator, painter and sculptor, Frank Hoffman was born in Chicago, Illinois. He grew up around his father's New Orleans, Louisiana, racing stables. Through a family friend, Hoffman was hired to make sketches for the Chicago American, later becoming head of the art department. While working for the paper, he had five years of formal art training in private lessons from J. Wellington Reynolds, a portrait painter. In 1916, Hoffman went West to paint, living with the Indian tribes and the cowboys. During that time, he also worked as public relations director for Glacier National Park, where he met noted artist John Singer Sargent. In 1920, Hoffman joined the young art colony in Taos, New Mexico. He studied with Leon Gaspard, learning the use of color. Although focusing on his fine art, Hoffman also painted for corporate advertising campaigns and illustrated Western subjects for the leading national magazines in the 1920's. Hoffman became the best-known New Mexico illustrator of the time. As his success grew, he bought his own Hobby Horse Rancho, where he raised quarter horses and kept as live models the longhorns, dogs, eagles, burros, and even a bear that he had begun to sculpt in the 1930's. Later, beginning with 1940, Hoffman was under exclusive contract to Brown and...

George Goodwin Kilburne landscape horse/equine hunting scene 19th century oil painting A fine painting by the renowned artist George Goodwin Kilburne .oil on panel, framed the size ...

George Arnull (c. 1800–1880) was a British painter active during the 19th century, renowned for his equestrian scenes and depictions of horse racing. He developed a keen interest in ...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2013. This piece features a lovely background in a muted sunflower yellow ...

Chantilly French Expressionist artist, 20th century oil on board, framed framed: 17.5 x 21 inches board: 13 x 16 inches inscribed verso provenance: private collection, France condit...

This is an original oil painting titled "Rencontre 3," created in 2023 by the artist Marina Dieul. It depicts a charming scene where a fluffy, yellow chick stands in a dark, square a...

‘Pit Pony’ My abstract artwork celebrating the Pit Ponies who worked the coal mines of Britain during the Industrial Revolution. Painted as a Celtic War Horse surrounded by the sight...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a bunny on a Holland Tulip Orange background with thick use of paint...

The Martyrdom of Saint Ignatius of Antioch in the Circus during the Celebrations for Emperor Trajan - Russian School of the Mid-19th Century Signed on the lower right. TITOV? Dated 1...

'Mendip Hunt' depicting the english countryside with a pack of hounds, hunt masters and their horses. Michael Lyne was born in Upton Bishop in Herefordshire and studied at the Chel...

Chris Hong's "Nestled in Blue" is an original, handmade watercolor painting that depicts a nestled cat with overtones of blue. This piece is framed and ready to hang. Chris Hong i...

Discover Beth Carlson's touching dog painting, "No Walk Today," a portrayal of a sweet Brittany Spaniel or Setter gazing through a rain-soaked window. This dog painting captures the ...

Oil Painting Pair by Robert Watson "Highland cattle and Sheep in the Glen" A Cheshire painter of Highland cattle and sheep represented in the Harris museum Preston. Both oil on canv...

Artist: Slonem, Hunt Title: Hare Today Date: 2021 Medium: Oil on Wood Unframed Dimensions: 14" x 10" Framed Dimensions: 20" x 16" Signature: Signed Verso Edition: Unique Prove...

Ben Marshall (1768-1835) A poodle chasing a butterfly Oil on canvas Canvas size 10 x 12 in Framed size 15 x 17 in Provenance The Collection of the late David Fuller, former Director...