Framed Animal Paintings

Don Pollack's work centers on portraying the interplay between society and nature. He employs impressive realism in oil painting to illustrate his personal journeys. Pollack also del...

Scratching, pastel chalk. Signed and dated 'S. Schüffler 2021' lower right. From the series 'An Experiment on a Bird'. On white Mi-Teintes paper, Canson.

Oil on canvas Canvas size: 30 x 45 inches Framed size: 36.5 x 51.5 inches Signed and dated 1918 lower right

A desolate, surreal landscape with a haunting and mysterious outdoor still life featuring Ram's head emerging from the daisies and underbrush. Classical statues sit on the horizon l...

Winter landscape with wild boars. Similar to a hunting scene. Signed lower left "W. Heydendahl" Dimensions with frame: 92 cm x 112 cm Dimensions without frame: 71 cm x 90.5 cm "For...

"Nude with Cat" by R. Walker is a charming portrait of a woman and cat posed by a window.

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

This painting, "Amazing Graze" is a 36x36 oil painting on canvas by artist Zu Sheng Yu. Depicted is a brown cow in the foreground gazing at the viewer. ...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts multicolor delicate butterflies in ascension placed in a wonderful Paris Green landsc...

19th century Orientalist oil painting of a desert scene by González Manso Spanish, 1893 Panel: Height 14cm, width 20cm Frame: Height 28.5cm, width 34cm, depth 6cm This captivating o...

A Highland Landscape with Drover and Cattle A. Lewis (19th - 20th Century) signed oil painting on canvas, framed framed: 22 x 30 inches canvas: 12 x 20 inches provenance: private col...

This snowy scene, "Copper Gold", is a 16x20 winter landscape oil painting featuring a red fox standing in the solitude of the snow covered woods. The fox perches on ice covered rocks...

Trailblazing Gay Female illustrator of the Golden Age, Ida Waugh, paints a powerful narrative of a young woman coming to the aid of another who, due to an accident, is lying prostrate in an unpaved road. The reason why the work is in black and white is because this was assignment art for a book or magazine and color printing was not yet available for mass publications Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

Adolph Schreyer (1828 - 1899) Arab Scouts, n.d. Oil on canvas 33 3/4 x 56 inches Signed lower right Housed in an exceptional period American handcarved frame Provenance: Sheridan Art Gallery, Chicago Private Collection, Chicago Traffic Club of Chicago Schreyer expert Dr. Christoph Andreas has kindly confirmed the authenticity of this work. With the increase in travel by steamship and the political involvement of European powers in North Africa and the Middle East in the nineteenth century, paintings depicting the scenery, daily life, and customs of North African and Middle Eastern people became an object of fascination among European and American audiences. The German artist Christian Adolf Schreyer...

Robin Hextrum's (US based) "Iguana-moth" is a colorful oil painting that depicts a mythical iguana/moth. Artist Statement: This painting is from part of my "Magical Realism" series...

The Afghan Hound English artist, mid 20th century oil painting on board, framed in wooden frame (most likely original to the painting) framed: 14.4 x 11.5 inches board: 12 x 9.5 inch...

Oil on canvas Canvas size: 12 x 18 inches Framed size: 15.75 x 21.75 inches Signed lower right

Investing in a late 20th-century Victorian-style portrait of two terrier dogs in a landscape is an opportunity to bring a touch of nostalgic charm and timeless elegance into your liv...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

We are so blessed with such a variety of beautiful bird species within the UK. I feel inspired and 'Over The Moon' with joy, watching them and listening to their little bird songs ea...

Julius Lange (17 August 1817, Darmstadt – 25 June 1878, Munich) was a German landscape painter. In 1834, inspired by his older brother, the architect Ludw...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Eugene Remy Maes was born in Belgium as Theo van Sluys in 1849 in the village of Puurs near Bornem. He trained at the Brussels Academy of Fine Art. The artist produced work under t...

Heading Up Trail William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Canvas Board Signed Lower Left 26 x 30 inches 35.25 x 30.75 inches with frame William Henry Dethl...

This vibrant piece, "Peaceful Evening", is a 16x20 equine oil painting on canvas featuring three brown horses and one white horse grazing together in a lush green pasture. The distan...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

I enjoy spending my summers in Cape Cod and these amazing sharks have become the talk of the town over the last few years. They have really changed the dynamic of what it means to g...

Denes Holesch Hungarian, 1910-1983 Wild Horses Oil on board 12 by 18 ¼ in, w/ frame 27 ½ by 24 ¼ in Signed lower left Denes Holesch (Denes de Holesch) was born in 1910 in Beszterce...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

Oil on canvas Canvas size: 22 x 30 inches Framed size: 31.5 x 39.5 inches Signed and dated '1893' lower right

Giovanni Agostino Cassana Venice, c. 1658 – 1720 Genoa Two Tortoiseshell Guinea-Pigs Oil on canvas 10 1/2 x 12 1/2 inches (26.7 x 31.7 cm) Framed: 16 1/2 x 18 1/2 inches Giovan...

Portrait Of A Scottish Black Retriever, circa 1900 by Robert WATSON Large 19th Century portrait of a Scottish Black Retriever, oil on canvas by Robert Watson. Important early depic...

PROVENANCE Alfred J. Fisher Detroit Institute of Arts (bequeathed by the above and sold: Sotheby's, New York, November 3, 1999, lot 17) Private collection (acquired at the above sale...

The English Hunting Party late 20th century signed oil on canvas, framed framed: 21 x 25.5 inches canvas: 16 x 20 inches provenance: private collection, UK condition: very good and s...

Oil on panel Panel size: 17 x 14 inches Framed size: 22.75 x 20 inches Signed lower left

The Chase French School, early 20th century signed 'L. Masson' signed oil painting on canvas board, framed framed: 29.5 x 51 inches board: 25.5 x 47 inches condition: very good prove...

Florence Cadène’s artwork is like a natural history, a sensitive memory in the heart of animal nations, a possible communion between the eyes of humans and all dimensions of life. F...

Charles Frederick de Brocktorff (1775–1850) ‘Camelopard – a present from the Pacha of Egypt to the King – at Malta on its way to England’ Signed and dated C.F. de Brocktorff. / 1827. lower right, inscribed as titled in the painted margins lower centre. Pencil and watercolour heightened with gold paint and gum arabic on paper, 36.8 x 27.9 cm A gift so majestic, it made kings blush, and a gift so grand, it would startle Europe into a craze. Pasha Muhammad Ali of Egypt (1805-1848) did it in 1827: he sent to Europe three magical spotted, horned creatures, each with a neck reaching the skies and legs as long as a house is high. One giraffe to King Charles X of France, one to Francis I of Austria and the most fabled one to King George IV of England. A curious sight for Europeans, who had not seen such a beast since the Medici giraffe in 1487. Few animals created more of a stir in Europe than these royal...

Original work by J Snyders 1650: A really eye-catching copy on canvas of this hunting scene originally by Snyders. Artist Biography: Jonathan Adams has been producing museum standar...

The aesthetic appeal of the collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometric...

Rocca Luis César Ocelote, 2023, (1/3) Acrylic on canvas 24.40 x 24.40 in This original painting comes framed as shown in one of the images. Rocca Lu...

Portrait Of A Grey Horse, 19th Century English School Large 19th Century English School portrait of a grey horse in a stable, oil on canvas. Good quality and condition large scal...

"Golf" is a plein air oil painting of a woman leaning against her Fiat with her dog in Tuscany, Italy. Her dog sits at attention while she is relaxed. Ben Fenske (b. 1978), althoug...

Exhibited: Rockport, Massachusetts, Rockport Art Association and Museum, "25th Annual American Impressionist Society Annual Juried Exhibition," September 27–October 26, 2024. Literat...

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

5023 Circus and performers in a black and white color scheme . Set in a custom frame Signed Williams 1974

Eugen Osswald German, 1879-1960 La Course Oil on canvas 14 by 16 ¾ in, w/ frame 22 ½ by 25 ⅜ in Signed Eugen Osswald lower left

Artist: Slonem, Hunt Title: Savannah Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23.5" x 18" Framed Dimensions: 28" x 22.5" Signature: Signed Verso Edition: Unique Pr...

Wild Mane by William Joseph Verdult (Dutch, 1939-2016) signed oil painting on canvas, framed framed: 19 x 23 inches canvas: 16 x 20 inches condition: very good provenance: private co...

Renowned artist Hunt Slonem's "Purple Diamond Dust" is a 10x8 black background and white and purple rabbit oil painting on a purple diamond dust backgroundon wood board of a contempo...

This equine piece, "Wise Dan" is a 24x24 oil painting on canvas by artist Shawn Faust depicting a racehorse Wise Dan with jockey John R. Velazquez mounted atop. An intriguing crop on the composition pulls the viewer inward, emanating a contemporary feeling. Pops of color from Velazquez's vibrant yellow silks stand out against the neutral gray background Wise Dan is a 16 year old gelding that was born in 2007 and raced from 2010 to 2014. He was sired by Wiseman's Ferry out of the Wolf Power mare Lisa Danielle. He was trained by Charles LoPresti and raced for Morton Fink, and was bred in Kentucky, United States by Morton Fink. Wise Dan has raced at Churchill Downs, Keeneland, Presque Isle Downs, Santa Anita Park, Saratoga, Turfway Park, Woodbine with wins at Churchill Downs, Keeneland, Presque Isle Downs, Santa Anita Park, Saratoga, Turfway Park, Woodbine. His stakes wins include wins in the 2014 Turf Mile (G1), 2014 Bernard Baruch (G2), 2014 Turf Classic Stakes (G1), 2014 Maker's 46 Mile (G1), 2013 Breeders' Cup Mile (G1), 2013 Woodbine Mile (G1), 2013 Fourstardave Handicap (G2), 2013 Firecracker (G2), 2013 Turf Classic Stakes (G1), 2013 Maker's 46 Mile (G1), 2012 Breeders' Cup Mile (G1), 2012 Turf Mile (G1), 2012 Woodbine Mile (G1), 2012 Fourstardave Handicap (G2), 2012 Ben Ali (G3), 2011 Clark Stakes (G1), 2011 Fayette Stakes (G2), 2011 Presque Isle Mile (LS), 2011 Firecracker (G2), and the 2010 Phoenix (G3). About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Instead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight...

Oil painting on board of African elephants in tropical settings. Presented in a bronze frame with embossed designs. Tagged Maitland-Smith on the backs. Please contact us to complet...

This painting is phenomenal example of Hunt Slonem's floral arrangements placed in a antique frame chosen by Hunt himself. Hunt Slonem's artistic trajectory has always been charact...

This piece is executed with hundreds of hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from maps, cutting out words, symbols, and places to create feelings of unity within the piece. Standing in juxtaposition with the contrast to clean, pixelated designs that the butterflies form, Laila creates a Heart that pops off the canvas in three-dimension. The artwork comes housed inside a plexiglass shadow box, ready to be displayed with hanging wire on verso. Art measures 36 x 36 inches Laila Jalallar...

SHEEP AT REST Size: 64.5 x 64.5 cm (including frame) Oil on board A atmospheric mid-century modernist painting that depicts a serene landscape where a small flock of sheep are gathe...

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

Hunt Slonem Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the Artist's St...

Alexander Koester 1864-1932 German Ducklings and a Mother Hen Signed "A. Koester" (lower left) Oil on canvas Esteemed German artist Alexander Koester was known for his charming p...

Nassau Blair Browne, a celebrated Dublin artist and Royal Hibernian Academy member, brings to life a serene yet striking portrayal of two hunters in a vast open landscape. This evoca...