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H. BeckerHorse oil painting horse in Landscape, large chestnut horse portrait1960's
1960's
$1,905.58
£1,411.23
€1,599
CA$2,625.35
A$2,918.93
CHF 1,536.99
MX$35,415.43
NOK 19,459.11
SEK 18,189.52
DKK 12,171.32
About the Item
Large traditional painting of a horse in a landscape. This is an exceptionally attractive oil portrait of a horse on stretched canvas. It's signed in the lower left H. Becker. A horse stands proudly in an idylic country landscape in front of a wooden country gate.
Although this looks very much like a typical Victorian horse portrait, it is in fact vintage from around the 1960's.
Overall size including frame: 43ins x 31ins or 109cm x 79cm
Condition: The painting is in good condition, however, you should expect very small areas of missing paint throughout. The frame again is vintage and you should expect imperfections associated with an item of this age such as a split down the inner frame to the left/bottom (glued) as well as indentations, losses of gilt etc.
- Creator:H. Becker
- Creation Year:1960's
- Dimensions:Height: 31 in (78.74 cm)Width: 43 in (109.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:AIGNAN, FR
- Reference Number:1stDibs: LU2448216778082
About the Seller
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MORE ABOUT THIS PAINTING:
Medium: Oil on stretched canvas
Overall size: 13.5ins x 18ins or 34cms x 46cms (approx) including the frame
Date: 1880's
Condition: The painting is in good antique condition but you should expect imperfections associated with age, in particular, there are two very small areas of missing paint in the tree. The frame has had renovations throughout but it is in a sturdy condition.
Signed: Gustave Césaire Garaud (1844-1914) He was a student of François-Louis Français. His first exhibit at the Salon came in 1878, and he would continue to have showings there until his death. In 1881, two of his works, "Bord du Gapeau près de Montrieux" and "Les Pins de Notre-Dame sous Fenouillet", received honorable mention and were purchased by the Musée d'Art de Toulon. In 1889, he was awarded two third-class medals and, in 1893, two second-class medals.
He opened a workshop in Paris, dividing his time between painting there, in Provence and in Brittany. He also created some landscapes in Corsica. Although he never became famous, he enjoyed a good reputation among collectors and was able to organize two exhibits of his own, at the Cercle Volney, in 1891 and 1900. In addition to his canvases, he decorated some private buildings.
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