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John Frederick Herring Jr
The Farmyard, John Frederick Herring Jr (1795–1865)

$8,249.05
£6,000
€7,058.28
CA$11,293.36
A$12,652.20
CHF 6,585.46
MX$154,079.63
NOK 83,889.99
SEK 79,000.70
DKK 52,689.15
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About the Item

"The Farmyard" by John Frederick Herring is a well-known piece by the 19th-century English artist, famous for his depictions of animals and rural scenes. In "The Farmyard," Herring captured a lively rural scene featuring animals like horses, cows, or chickens. He was known for his vivid and realistic portrayals of farm life. The artwork is filled with rich detail, bringing the rustic charm of the countryside to life. John Frederick Herring Jr. (1820–1907) was the son of the renowned English artist John Frederick Herring Sr., and like his father, he became an accomplished artist, particularly known for his equine and animal paintings. While he followed in his father’s footsteps, Herring Jr. also carved out his own career and artistic identity, and was regarded as one of the prominent animal painters of the 19th century. Born in 1820, John Frederick Herring Jr. was the eldest son of the famous painter John Frederick Herring Sr. Growing up in a family with a strong artistic background, he was exposed to the world of art from a young age. Initially, he worked alongside his father, learning the techniques of animal painting, particularly equine subjects. Like his father, he was deeply influenced by the natural world and the rural settings that surrounded him. Herring Jr. primarily focused on painting horses, dogs, and other animals, as well as depicting rural scenes. He became known for his skillful handling of horses, much like his father. His works were detailed and realistic, focusing on the anatomy, movement, and character of the animals. His compositions often portrayed horses in action or in the context of horse racing and hunting, reflecting his deep interest in these pursuits. While Herring Jr.'s style was similar to his father’s, he had a more refined, smoother approach to painting, and his compositions were often less dramatic but equally precise. His colour palette was also slightly lighter and airier compared to his father's. His works were full of texture and attention to detail, with a focus on the realism of animals and their environments. His mastery of capturing the movement and grace of horses in particular earned him many commissions, especially from horse owners and race enthusiasts. Some of Herring Jr.'s notable works include portraits of racehorses, sporting scenes, and hunting dogs. Many of his paintings focus on horses in action or showcasing their beauty in their natural setting. Like his father, John Frederick Herring Jr. was highly regarded and sought after by collectors. His works were often commissioned by wealthy patrons, including horse owners and aristocrats involved in the world of horse racing and sporting. He achieved considerable success during his lifetime, and his paintings were frequently exhibited at prestigious venues. His work was highly respected in the art world, and he continued to be active as a professional artist throughout his life. While Herring Jr. is sometimes overshadowed by his more famous father, his own contributions to animal and equine art are highly valued today. Like his father, his paintings continue to be prized by collectors of British sporting art, and his legacy is closely tied to the development of the tradition of equine portraiture in the 19th century. When he passed away in 1907, he had established himself as one of the most respected animal painters of his generation. His works, along with those of his father, remain highly collectible and are housed in various museums and private collections worldwide.
  • Creator:
    John Frederick Herring Jr (1820 - 1907, British)
  • Dimensions:
    Height: 8.08 in (20.5 cm)Width: 10.04 in (25.5 cm)
  • More Editions & Sizes:
    15.5cm x 21cm board only, without framePrice: $8,249
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: 21stDibs: LU2841215961752

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John Frederick Herring Jnr British, (c1820-1907) Farmyard Friends Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 29.75 inches x 41.75 inches Provenance: Frost & Reed; Stacy Marks, Eastbourne A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church. John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820. Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children. By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street. After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907. Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
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