Malcah Zeldis

Malcah Zeldis Folk Art Gouache Painting Mod Bull Jewish Woman Outsider Artist

1989

Cecilia "Peach" Taylor (Mrs Reginald B. Taylor) Folk Art watercolor painting of horses titled "White Horse Farm) painted in 1948 A classic example of self taught, American Folk Art d...

Michail Gorbman, Russian Born 1939. Watercolor on Green Paper, Black Fish with Yellow Dots. Hand signed Upper Left, Dated 1964. Signed verso and Described. Dimensions: 10 X 7.25 inches \ Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman and Israeli architect Yasha Jacob Grobman. Biography 1939 – Born in Moscow. 1960s – Active member of The Second Russian Avant-Garde movement in the Soviet Union. 1967 – Member of Moscow Artists Union. 1971 – Emigrates to Israel and settles in Jerusalem. 1975 – Founded the Leviathan group and art periodical (in Russian). Since 1983, he lives and works mainly in Tel Aviv. Awards In 2001, Grobman was a co-recipient of the Dizengoff Prize for Painting. Solo exhibitions 2007 – Last Skies, Loushy & Peter Art & Projects, Tel Aviv (cat. text: Marc Scheps) 2006 – Creation From Chaos to Cosmos, Bar-David Museum of Fine Art and Judaica, Kibbutz Baram (cat. text: Sorin Heller) 2002 – The Last Sky, installation, Tsveta Zuzoritch pavilion, Belgrad (cat. text: Irina Subotitch) 1999 – Mikhail Grobman: Works 1960–1998, The State Russian Museum, St. Petersburg (cat. texts: Evgenija Petrova, Marc Scheps, Lola Kantor-Kazovsky, Michail German) Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s lithograph work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Grisha Bruskin. Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avant Garde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John...

Voluptuous, ala Fernando Botero, female circus performer with spectators and cat. Haya Ran was born in Holon, Israel in 1948 on the same date as the State of Israel was founded. From 1968 to 1973 Ran lived on Kibbutz Sasa. After her stay on the Kibbutz, she took courses on Graphics at The Technion 1975-1978. Tel Hai Institute Ran paints with water colors, using a multilayer method, which creates an illusion of tempera. Ran came up with this technique herself, influenced medieval painters. Ran says that the reds, browns, and golds in most of her feminist works are inspired by the performing arts: the circus, clowns, acrobats, dancers, and the fantastic. Haya Ran doesn’t identify today with any particular artistic school. Her works are born out of personal experiences and feelings. They come from the remembrances of her past, of her life and her experiences as a child, and from the fantasies she entertains about them. Her subjects emanate from her private, inner world. Haya Ran focuses on the world of the female. Her women are a peculiar lot. Their dimensions are offer wide, distorted, and grotesque, yet their poses and settings are as enticing and charming as they are sexually arousing. Others of Haya Ran’s women remain attached to elements of a lost childish innocence; dolls, wooden horses, masks, and wooden birds. Her works are executed with watercolors on paper. Her technique resembles that of Renaissance tempera. She superimposes strata and blends them together to create the impression of a past era. She creates not by putting down on paper her sudden impulses, but by devoting painstaking attention to the smallest details over countless hours. Selected Solo Exhibitions “Izraeliyot” / Dwek Gallery, Adenauer Conference Center, Mishkenot Sha’ananim, “Plowing” / Gerstein Gallery, Tel Aviv. Curated by Ora Krauss. “Suricattas” / Seemann Contemporary Art Gallery, Tel Aviv. Curated by Hagai Segev. “Encrypting” / The Israeli Artists Gallery, Kabri. Curated by Drora Dekel. Tokyo, Japan Museum of Art “O” “Calligraphy” / HaGalleria, Moshav Shoevah. Curated by Tirtzah Yallon Kolton. ESPACE RACHI, Paris, France. Curated by Hana Landau. Brucke Gallery, Braunschweig, Germany Gallery Vandorn, Paris, France Goldman Gallery, Haifa, Israel Grafica 3 Gallery, Haifa, Israel Select Group Exhibitions: Group Exhibitions The Second Biennale for Israeli Ceramics Eretz Israel Museum, Ramat Aviv, Tel Aviv Stern Gallery, Tel Aviv Artists:Reuven Rubin, Chaya Graetz Ran, Dorit Feldman, Anna Ticho, Abraham Hadad. Israeli Portrait Wilfrid Israel Museum, Oriental Art and Studies, Kibbutz Hazorea Artists: Shoshana Heimann,Genia Berger, Avraham Ofek, Jean David, Jakob Steinhardt, David Sharir, Ruth Schloss Ruth Zarfati Rudi Lehmann and others With this Ring - Wedding Ceremonies in Contemporary Art Beit Hatfutsot, Tel Aviv Artists: Nelly Agassi, Lital Dotan, Shai Azoulay, Avraham Baron Gallery, Beer Sheva Artists: Miki Kratsman, Adi Nes...

Jungle fantasy Scene, Ink, Colored ink and color watercolor surreal fantasy scene, birds, giraffes, alligators, snakes, turtles, storks, unicorn and maiden in a tepee, lions and elephants. Laurence L. Donovan Jr. (1927-2001) was a poet, artist, and English professor at the University of Miami, best known for his poetry, much of which was inspired by Florida’s natural beauty. Donovan grew up in southern Florida. His parents were Ruth and Laurence Donovan...

The Pekingese Dog English Folk Art painting, circa 1930's watercolour painting on artist paper, framed Glass covering framed: 9 x 11.5 inches...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom left. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...