Panel Animal Paintings

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Stip Dog Oil Painting on Panel Animal Portrait Nature Sketch In Stock Pieter Pander was born in 1962. In 1982, he enrolled at the Minerva Art Academy in Groningen, where he was taugh...

Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art...

Oil and Ink on Panel

Untitled, 2014 Acrylic on panel 101x71 cm Elle is a female graffiti and street artist based in Brooklyn. Noteworthy for her diverse use of mediums, including but not limited to fire extinguishers, rollers, aerosol, markers, acrylic, and silkscreens to create a variety of tags, fills, murals, wheat pastes, sculptures, and bus shelter AD replacements. She has scaled and painted billboards along the BQE freeway, installed pieces in the Urban Nation Museum in Berlin, and had a 200-foot video projection on the facade of the New Museum in New York. In Spring 2014, ELLE had a collaborative exhibition with renowned photographer Martha Cooper...

Dana Hawk's "Waterspout - Webber's Reward" is an original, handmade oil painting that depicts a brown spider inching along a branch of blooming white flowers...

Tresher Shark, by Joseph Rossano, 2020 Additional information: Medium: Tar, whitewash, and ash on wood panel Dimensions: 19 × 29 × 1 in (48.3 × 73.7 × 2.5 cm) Rossano’s work uses t...

Exploring the Wild, 2020

Introducing "Together" by Sybiline, an unframed but ready-to-hang original handmade oil painting. This captivating artwork features two Meerkats on a rock, set against the backdrop o...

Koza, 2019

Nightjar, 2019

'Promise of Spring' by Ben Waddams is a Contemporary Realist Wildlife oil painting of an English Blue Tit bird on a branch. With such incredible detail you almost expect the bird to ...

Bernard Lee's (US based) "Speak" is an oil painting that depicts a figure with a yellow background and doves flying past them Artist Bio/statement: Berna...

Robin Hextrum's (US based) "Out of the Flames" is an oil painting that depicts a family of elk fleeing from the encroaching fire Artist Bio: Robin Hextrum is a contemporary oil pain...

Shell Langdale's (US based) "Broken Christmas" is an oil painting that depicts a white horse figurine on its side with a vivid red and green background. Currently residing in Chatta...

Energetic, joyous brushstrokes in this painterly abstraction with birds. Bright colors, dominant whites, blues, with touches of orange and red. Multi-layered oil paint and painted...

Flat is Ink and Oil and Varnish on Wood Panel inspired by the Hawaii Flatfish. It is 20x20 filled with red, orange, black and green. Carol Bennett spends all of her time surrounded...

In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood. Inspired by the films Shivers, 1975 The Eyes of Laura Mars, 1978 Georgia Hinaris Eyes of Shivers oil on panel 16h x 24w in 40.64h x 60.96w cm GHS003 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Oil paint and oil on paper mounted on wood panel. Mostly monochromatic gestural abstraction with multiple bird images.

Oil paint on wood panel Signed on the back

Endangered Species features a corset with laces and other "endangered"species" in the form of endangered animals: a wolf, snail, bird and butterfly. The panel itself is 14 x 11 inche...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling with issues such as the climate...

Contemporary Colourful landscape of chickens and cockerel 'Las Gallinas', vibrant and bold work that would sit beautifully in any interior setting.

Lion Mane, by Joseph Rossano, 2020 Additional information: Medium: Tar, whitewash, and ash on wood panel Dimensions: 19 × 29 × 1 in (48.3 × 73.7 × 2.5 cm) Rossano’s work uses the s...

Matt Flint is a painter from the mountain town of Lander, Wyoming. He grew up surrounded by woods, animals, and family. As a boy, He spent endless days creating art and exploring the...

Nick Leibee's (US based) "Two Birds" is an oil painting that depicts a red and yellow bird, both looing up, with a black background

Eugen Kask was born January 18, 1918 in Kiev, died May 11, 1998 in Vimmerby; he was an Estonian-Swedish painter. He was the son of the architect Kristjan Kask and Maria Lass and from 1948 married the telephone operator...

This large Super realism painting by New York artist Cesar Santander Is one of his masterpieces. It is titled "Rush Hour," and measures 38 x50". Painted in 2001, it is signed, titled, and dated on the verso and is acrylic on canvas and wood panel. Making this listing very Special, we have also included in this offering, all of the tin toys that inspired this painting and they are in a clear box with mirrors on the 2 sides, the back and the bottom of the lucite box and can be displayed along side the painting just how the toys are featured in the painting. You can see an image of that mirrored box in this listing. Santander first sets up the layout of these vintage tin toys...

Nick Leibee's (US based) "Mickey Pin" is an original, handmade oil painting that depicts an enamel pin of Mickey Mouse, the beloved Disney character,...

A lion strolls in front of a Range Rover in this photorealistic painting entitled "Dark Mane" by Rick Pas. Though small in scale this painting delivers gr...

This is a painting and collage on a panel. "By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me ...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from...

Karl Stuhlmuller (German, 1859-1930), "Market Scene", Oil on Panel, 19th century, signed lower right, and marked to verso. Image: 13.5" H x 22" W; frame: 27.25" H x 35.5" W. Provenan...

Polar Bear Turning, by Joseph Rossano, 2020 Additional information: Medium: Tar, whitewash, and ash on wood panel Dimensions: 19 × 29 × 1 in (48.3 × 73.7 × 2.5 cm) Rossano’s work u...

Trompe L’Oeil with a Two Partridges Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 50,50 x 40 cm, frame size 64 x 53,50 cm Biography: Clesse Louis Liévin Théophile was born on June 15, 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

This is a painting and collage on a panel. "By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me ...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from...

"Lince Iberico (Doñana)" Artist: Borja Fernandez Medium: Oil on Panel Size: 12" x 12"

Sabretooth Cat & Vulture, by Joseph Rossano, 2020 Additional information: Medium: Panel, whitewash, tar, DNA Dimensions: 65 × 98 × 3 in (165.1 × 248.9 × 7.6 cm) Rossano’s work uses...

Oceanic White-Tipped Shark, by Joseph Rossano, 2020 Additional information: Medium: Tar, whitewash, and ash on wood panel Dimensions: 19 × 29 × 1 in (48.3 × 73.7 × 2.5 cm) Rossano’...

Brown Bear Walking, by Joseph Rossano, 2020 Additional information: Medium: Tar, whitewash, and ash on wood panel Dimensions: 19 × 29 × 1 in (48.3 × 73.7 × 2.5 cm) Rossano’s work u...

Horned Gophers, by Joseph Rossano, 2020 Additional information: Medium: Panel, whitewash, tar, DNA Dimensions: 92 × 62 × 3 in (233.7 × 157.5 × 7.6 cm) Rossano’s work uses the spect...

Buffalo VS Dire Wolf, by Joseph Rossano, 2020 Additional information: Medium: Panel, whitewash, tar, DNA Dimensions: 65 × 98 × 3 in (165.1 × 248.9 × 7.6 cm) Rossano’s work uses the...

A field of dahlias climb the surface of this surreal landscape titled "Dahlia Web". A spider has woven its web through the field in the hopes of attracting any flying passer-by. The painting is framed in a simple white wooden frame measuring 19.75 x 31.5 inches. John Hrehov Dahlia Web oil on linen 18h x 30w in 45.72h x 76.20w cm JHR014 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Hommage Jan Stobbaerts Inspired Oil Painting on Panel Pig Animal In Stock Walter Elst Born in Antwerp, Belgium - 1955 After finishing his study Medicine at the University of Brusse...

Les Thomas' animal paintings tend to play with the relationship between culture and nature. The special encaustic wax finish that he applies, he explains, "may very well pertain to m...

Ascendant by Allison Green Painting, Birds, Wildlife, Flora, Flowers, Bright and Vivid Colors, Decor, Home Decor, Wall Art, Wall Decor, Bedroom Art

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Trice’s work explores animal dignity, the cruelty of nature, and human interference. As death and suffering feed back into life and beauty, Trice breaks down and builds upon the dest...

Suzanne Kiggins is a self-taught artist who works primarily with acrylic and gouache on paper, wood panel, and canvas. She takes inspiration from every...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new tho...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

This is an unframed original painting on wood panel with painted edges. Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In consid...