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Paul Wenzel
Godzilla like Dinosaur Monster, SciFi, Science Fiction Cover Illustration

1961

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Godzilla like Dinosaur Monster, SciFi, Science Fiction Cover Illustration
By Paul Wenzel
Located in Miami, FL
Beautiful Godzilla like monster illustration from 1961. Wenzel was a prolific Disney Artist for decades. The work is beautifully matted and framed and lookes better in person.
Category

1960s American Modern Animal Paintings

Materials

Mixed Media, Gouache

Cute Cow Milks into Bottle. Mid Century Illustration
By George Giusti
Located in Miami, FL
George Giusti is in the Art Directors Hall of Fame. George Giusti’s graphic designs and illustrations have graced the covers of Time, Fortune, Holiday. He collaborated with Herbert ...
Category

1950s Modern Animal Paintings

Materials

Gouache

Art Deco Horses and Nude Figures
By Bela Kadar
Located in Miami, FL
This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...
Category

1930s Art Deco Figurative Paintings

Materials

Gouache

Young Maiden and Lion - "Beauty and the Beast" like Fairy Tale
By Alice and Martin Provensen
Located in Miami, FL
Beauty and the Beast-like theme is realized in one side of this work by famed Childens Book illustrators Alice and Martin Provensen. Study for "The Pr...
Category

1970s Outsider Art Animal Paintings

Materials

Gouache, Illustration Board

The Charge of the Light Brigade on Horses Lord Cardigan and Lord Lucan
By Alice and Martin Provensen
Located in Miami, FL
Elegantly painted in a charmingly warm style - Alfred Lord Tennyson's Charge of the Light Brigade (Golden; Paul Hamlyn, 1964) Signed by th...
Category

1960s Folk Art Animal Paintings

Materials

Gouache

Horses, Chicken, Ducks, Rooster and Pigs Children's Book - Female Illustrator
Located in Miami, FL
Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...
Category

1950s Feminist Animal Paintings

Materials

Gouache

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Category

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Clarence Holbrook Carter (American, 1904-2000) Over and Above: Kangaroo, c. 1960s Acrylic on paper, mounted on matte board Signed lower right 14 x 5 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
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