Sophie Harden

Duel, Original Elephant Painting, Safari Animal Art, Landscape Wildlife Painting

2021

Grazers on the Motte and Bailey is an original oil painting by Lucy Pratt. It depicts a beautiful landscape of green hills with cows grazing and tall trees and blue skies in the back...

‘Hunter’ (Bay Horse) by Georgie Dowling [2021] original and hand signed by the artist Oil paint on canvas Complete Size of Unframed Work: H:40 cm x W:40 cm ...

Yellow Serval by Lucie Sheridan [2022] original and hand signed by the artist Acrylic on canvas Image size: H:76.2 cm x W:50.8 cm Complete Size of Unframed Work: H:50.8 x 76.2 cm x W:76.2 cm x D:50.8cm Frame Size: H:79.2 cm x W:53.8 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Yellow Serval is an original painting by artist and illustrator Lucie Sheridan. Her work is rooted in print making which shows in this series of graphic, illustrative and bold animal paintings. Using monochromatic colours palettes combined with a folk art style. Scaredy Cat...

Blue Tiger by Lucie Sheridan [2022] original and hand signed by the artist Acrylic on canvas Image size: H:91.4 cm x W:60.9 cm Complete Size of Unframed Work: H:91.4 cm x W:60.9 cm ...

Oil paint on canvas Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths already traveled a...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

Oil paint on canvas Hand-signed on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in temporary and alter...

Cranes are Flying, 2011., oil on canvas, 65x70 cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...