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Thomas Sidney Cooper
19th Century landscape animal oil painting of cattle & sheep by a river

1894

$15,074.63
£11,000
€12,833.29
CA$20,648.47
A$22,965.61
CHF 11,991.93
MX$279,467.01
NOK 153,155.20
SEK 143,632.56
DKK 95,779.74
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About the Item

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 inches Size including frame: 21.5 inches x 31.5 inches Thomas Sidney Cooper was born in St Peter’s Street, Canterbury on 26 September 1803 to William and Sarah Cooper. He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name. At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time. When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician. After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market. The couple lived at Portland Terrace, St John’s Wood and together had four children. His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught. In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death. He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863. He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park. He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit. Cooper specialised in paintings of cattle or sheep, which earned him the nickname of 'Cow Cooper'. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO). Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard. Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections. Canterbury Meadows was a subject he painted on many occasions and would have known very well. With the River Stour running through it, the location provided local farmers with the ideal grazing ground and watering for their cattle and sheep. The church in the distance with its distinctive spire is most likely to be the church of St Mary the Virgin at Fordwich which still stands today. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Thomas Sidney Cooper (1803 - 1902, British)
  • Creation Year:
    1894
  • Dimensions:
    Height: 21.5 in (54.61 cm)Width: 31.5 in (80.01 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU15627303022

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Henry Cheadle British, (1852-1931) Cattle Resting Oil on canvas, signed & dated (18)84 Image size: 19.25 inches x 29.25 inches Size including frame: 26.75 inches x 36.75 inches A well-executed landscape painting of cattle at a river by Henry Cheadle. A small herd of cattle are shown resting in a meadow by the side of a river. On the other side of the bank in the distance can be seen sloping hills reminiscent of the river Avon. At the time of this painting, the artist was living at Steelhouse Lane in Birmingham. Henry Cheadle was a landscape painter born in Birmingham on 16 May 1852 to Henry Cheadle and his wife Matilda (née Wood). His father was a hairdresser and they lived at 2a Steelhouse Lane in Birmingham. Although little can be found about his early education, he is known to have attended the Birmingham School of Art, where he won a number of prizes. He went on to study at the South Kensington Art School (later the Royal College of Art), where he also won awards including silver and bronze medals. Cheadle began exhibiting at the Royal Birmingham Society of Artists in 1871, where he went on to become a member. He also exhibited at the Royal Society of British Artists from 1875, the Royal Cambrian Academy, Walker Art Gallery, Liverpool, Bristol Fine Art Academy as well as at Frost & Reed. He played an active part in the local art societies, becoming curator and later president of the Midlands Art Club. He also became a member of the Birmingham Art Circle where he exhibited up until his death. By the late 1880’s, he had moved with his parents to 40 Spring Road in Edgbaston. He spent his time travelling around painting the landscapes of Gloucestershire, Worcestershire, the Midlands and North Wales. He also visited Newlyn in Cornwall where he painted a number of coastal views. He remained unmarried and lived with his parents until their deaths at the beginning of the 20th century. He continued living in Birmingham and exhibiting until his death aged 78 on 10 January, 1931. He was buried at Key Hill Cemetery in Birmingham. Some of his paintings were gifted to the Birmingham Museum shortly after his death and hung in the Victorian Room. Two of his works can still be found at the Museum today. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
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