Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 22

Thomas Sidney Cooper
Cow and Chickens in Stable /// Thomas Sidney Cooper British Farm Animal Painting

1871

$4,000
£3,037.29
€3,473.37
CA$5,588.58
A$6,215.72
CHF 3,245.66
MX$75,638.71
NOK 41,451.98
SEK 38,874.65
DKK 25,923.12
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Framing: Framed in an antique gold Louis XV style gesso frame Framed size: 13" x 15.07" Panel size: 9" x 11 Condition: Minor craquelure to surface. In excellent condition Notes: Provenance: private collection - Marlow, UK; acquired from private collection - London, UK. Retains an old gallery label with the artist's name lower right on verso. It is also inscribed "T. S. Cooper R.A. 1871" upper center on verso, possibly by the hand of the artist. The cow depicted in this painting by Cooper is likely a (Northern) Dairy Shorthorn. The Dairy Shorthorn is a British breed of dairy cattle. It derives from the Shorthorn cattle of Teesside, in the North Riding of Yorkshire and in Northumbria (now divided between County Durham and Northumberland) in north-eastern England. The Shorthorn was for this reason at first known as the Durham or Teeswater. Biography: Thomas Sidney Cooper CVO RA (26 September 1803 – 7 February 1902) was an English landscape painter noted for his images of cattle and farm animals. Thomas Sidney Cooper was born in St Peter's Street in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter; and he alternated between these two occupations for about eight years. He still felt a desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. He then returned to Canterbury, where he was able to earn a living as a drawing-master and by the sale of sketches and drawings. In 1827 he settled in Brussels and married; there he met Eugène Joseph Verboeckhoven. Because of the Belgian Revolution he returned to London, and by showing his first picture at the Royal Academy (1833) began an unprecedentedly prolonged career as an exhibitor. When the competition was announced for the decoration for the new Houses of Parliament, to be held at Westminster Hall in 1847, Cooper submitted The Defeat of Kellermann's Cuirassiers and Carabiniers by Somerset's Cavalry Brigade at Waterloo, June 18, 1815, without success. In order to complete the picture, the artist used Siborne's model of the battlefield then on exhibition in London, while a friend in Brussels sent him breastplates worn by the various cavalry regiments, and a trooper of the Life Guards acted as a model. He is mainly associated with pictures of cattle or sheep,[4] a fact that earned him the epithet "Cow Cooper". Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene. He was elected an Associate of the Royal Academy (ARA) in 1845 and Royal Academician (RA) on 22 June 1867. The oldest member of the Royal Academy of Arts at the time of the accession of King Edward VII in 1901, Cooper was in July 1901 received by the King in audience, and appointed a Commander of the Royal Victorian Order (CVO). He was a great philanthropist in Canterbury, and used some of his wealth to distribute bread and coal to the poor at Christmas. The Alms Houses in Chantry Lane Canterbury are wrongly attributed to him as they were donated by Thomas Sankey Cooper and his brother Henry. Most notably in 1882 he developed his private art lessons into a full-fledged art school in Canterbury, located at his home and studio in St Peter's Street. Originally called the Canterbury Sidney Cooper School of Art, Cooper's art school is still in existence although it is now called the University for the Creative Arts. Amongst Cooper's more well-known students was Mary Tourtel, creator and illustrator of the Rupert Bear books for children. He wrote his reminiscences, under the title of "My Life", in 1890. The largest public collection of Cooper paintings is owned by Canterbury City Council and housed at the Beaney House of Art & Knowledge in Canterbury. Examples are also held by the Tate Gallery, London, and the Victoria and Albert Museum, London, and other public collections, mainly in Britain.

More From This Seller

View All
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Lincolnshire Sheep" (Plate 9) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category

1790s English School Animal Prints

Materials

Laid Paper, Engraving, Intaglio

Bulls Fighting /// Antique Victorian Animal Landscape Etching Landscape Horse
By James Ward
Located in Saint Augustine, FL
Artist: (after) James Ward (English, 1769-1859) Title: "Bulls Fighting" Portfolio: The Portfolio *Signed by Wise in pencil lower right. It is also signed in the plate (printed signature) lower right Year: 1874 Medium: Original Etching on laid paper Limited edition: Unknown Printer: Unknown, London, UK Publisher: Seeley, Jackson, and Halliday, London, UK Sheet size: 9.75" x 13.75" Image size: 5" x 8" Condition: In excellent condition Very rare Notes: Engraved by English artist William Wise...
Category

1850s Victorian Animal Prints

Materials

Etching, Laid Paper, Intaglio

A Rustic Family /// George Morland British Figures Cottage Landscape Etching Art
By George Morland
Located in Saint Augustine, FL
Artist: (after) George Morland (English, 1763-1804) Title: "A Rustic Family" Portfolio: Original Sketches from Nature by Various Masters *Signed by Morland in the plate (printed sign...
Category

1790s Victorian Figurative Prints

Materials

Etching, Intaglio

Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio

In Cambridgeshire /// British English Sheep Farm Cottage Village Watercolor Art
By John Arthur Dees
Located in Saint Augustine, FL
Artist: John Arthur Dees (English, 1876-1959) Title: "In Cambridgeshire" *Signed by Dees lower right Circa: 1915 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated French matting...
Category

1910s Victorian Animal Drawings and Watercolors

Materials

Watercolor

Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...
Category

1810s Old Masters Landscape Prints

Materials

Engraving, Etching, Laid Paper, Intaglio

You May Also Like

English 19th Century Oil on Canvas Farm Painting Depicting Calves and Chickens
By R. Hannington
Located in Atlanta, GA
An English 19th century oil on canvas painting depicting farm animals in a barn in giltwood frame. This English farm painting features two lovely...
Category

Antique 19th Century English Paintings

Materials

Canvas, Paint

Huge 1830's British Oil Painting on Canvas Farmyard Scene with Animals Landscape
Located in Cirencester, Gloucestershire
The Victorian Farmyard British School, circa 1830 oil on canvas, unframed canvas: 34 x 48 inches provenance: private collection, England condition: good and sound condition, though w...
Category

Early 19th Century Victorian Landscape Paintings

Materials

Oil, Canvas

19th century English Victorian chickens in a barn scene with Rooster and Hens
Located in Woodbury, CT
This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...
Category

1890s Victorian Animal Paintings

Materials

Oil, Board

Barnyard Scene, Original Oil Painting
By George William Horlor
Located in Naples, Florida
George William Horlor (British 1819-1899) George William Horlor was born in Bath around 1819. He married Mary Cook on 15 March 1845 and by 1851 was living in Cheltenha...
Category

Late 19th Century Romantic Animal Paintings

Materials

Oil

19th century English interior barn scene with a family of goats and baby goats.
By Abraham Cooper
Located in Woodbury, CT
This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...
Category

1830s Victorian Animal Paintings

Materials

Canvas, Oil

Mid 19th Century Interior of Stable with Horses, Dogs, and Stable Hand
Located in Soquel, CA
Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...
Category

19th Century English School Animal Paintings

Materials

Masonite, Oil, Linen