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William Sidney Cooper19th Century landscape oil painting of cattle by a Kent stream1920
1920
$6,783.58
£4,950
€5,774.98
CA$9,291.81
A$10,334.52
CHF 5,396.37
MX$125,760.16
NOK 68,919.84
SEK 64,634.65
DKK 43,100.88
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About the Item
William Sidney Cooper
British, (1854-1927)
At Marshside, Kent
Oil on canvas, signed & dated 1920, inscribed in pencil verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 24.25 inches x 32.5 inches
A restful painting of cattle next to a stream at Marshside, Kent by William Sidney Cooper. Several cows are shown watering whilst others graze in the meadow behind. To the far right a farm house and other buildings can also be seen. Marshside is a small hamlet that lies near the Chislet Marshes southeast of Herne Bay in Kent. At the time of this painting, Cooper was living in Herne Bay, around 5 miles away and within easy travelling distance of Marshside. It was a place he returned to on a number of occasions to paint.
William Sidney Cooper was born in Canterbury, Kent in 1854 and was the son of John Ramsay Cooper, a dispensary chemist and Mary Barber. He was the great nephew of Thomas Sidney Cooper (1803-1902), the famous landscape painter. His talent for painting was recognised early on and he trained under his great uncle at the Canterbury Sidney Cooper School of Art.
In 1881, he started exhibiting at the Royal Academy and Suffolk Street and later at the Royal Watercolour Society. Works at the RA include ‘Springtime, Isle of Wight’, ‘The Avon at Ringwood’ and ‘Twilight on the Thames’. He married Kate Kennett in 1882 and they lived in Pangbourne, Berkshire where they had their first 3 children. In 1890, they moved to Herne Bay in Kent, living at 18 William Street where their last 2 children were born. Sometime after 1913 he moved to live at Glenthorne, Cecil Park in Herne Bay.
Like his great uncle, he painted sheep and cattle in landscapes, often set within the countryside of Herne Bay. As well as a talented artist, Cooper was also a musician and a keen golfer and involved himself with his local community. He died on 9 September, 1927 aged 73 and is buried in Eddington Churchyard. His works are highly collectable and can be found amongst many private collections as well as museums and art galleries including: Canterbury Museum, Cartwright Hall Art Gallery, Cliffe Castle Museum, Ferens Art Gallery, Hampshire Cultural Trust, Maidstone Museum and Reading Museum.
Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:William Sidney Cooper (1854 - 1927, British)
- Creation Year:1920
- Dimensions:Height: 24.25 in (61.6 cm)Width: 32.5 in (82.55 cm)Depth: 3 in (7.62 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU156214478842
William Sidney Cooper
William Sidney Cooper trained at the Canterbury art school of his great-uncle, Thomas Sidney Cooper (1803–1902). Like his mentor, the younger Cooper specialised in landscapes, often with livestock, but the latter became particularly famous for his paintings of cattle. He exhibited at the Royal Academy, the Royal Society of British Artists and the Royal Watercolour Society.
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Located in Nr Broadway, Worcestershire
Henry Cheadle
British, (1852-1931)
Cattle Resting
Oil on canvas, signed & dated (18)84
Image size: 19.25 inches x 29.25 inches
Size including frame: 26.75 inches x 36.75 inches
A well-executed landscape painting of cattle at a river by Henry Cheadle. A small herd of cattle are shown resting in a meadow by the side of a river. On the other side of the bank in the distance can be seen sloping hills reminiscent of the river Avon. At the time of this painting, the artist was living at Steelhouse Lane in Birmingham.
Henry Cheadle was a landscape painter born in Birmingham on 16 May 1852 to Henry Cheadle and his wife Matilda (née Wood). His father was a hairdresser and they lived at 2a Steelhouse Lane in Birmingham. Although little can be found about his early education, he is known to have attended the Birmingham School of Art, where he won a number of prizes. He went on to study at the South Kensington Art School (later the Royal College of Art), where he also won awards including silver and bronze medals.
Cheadle began exhibiting at the Royal Birmingham Society of Artists in 1871, where he went on to become a member. He also exhibited at the Royal Society of British Artists from 1875, the Royal Cambrian Academy, Walker Art Gallery, Liverpool, Bristol Fine Art Academy as well as at Frost & Reed. He played an active part in the local art societies, becoming curator and later president of the Midlands Art Club. He also became a member of the Birmingham Art Circle where he exhibited up until his death.
By the late 1880’s, he had moved with his parents to 40 Spring Road in Edgbaston. He spent his time travelling around painting the landscapes of Gloucestershire, Worcestershire, the Midlands and North Wales. He also visited Newlyn in Cornwall where he painted a number of coastal views. He remained unmarried and lived with his parents until their deaths at the beginning of the 20th century.
He continued living in Birmingham and exhibiting until his death aged 78 on 10 January, 1931. He was buried at Key Hill Cemetery in Birmingham. Some of his paintings were gifted to the Birmingham Museum shortly after his death and hung in the Victorian Room. Two of his works can still be found at the Museum today.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
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Size including frame: 29.75 inches x 41.75 inches
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John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.
Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.
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Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
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