Beatriz Simón

Nothing

2022

William LaChance's pictures are associations of displaced forms and colors cribbed from graphic design, fashion, art history and nature itself cobbled together using a variety of methods and materials from painting and printmaking to assemblage and sewing. The paintings themselves have shifting hierarchies of similar concerns: of material exploration, abstract identity, formal space and narrative expression. They openly blur the boundary between high art and applied arts not only in principle but in practice- lending themselves to various manner of surface design, from textiles and branding to fully realized earthworks. LaChance's recent mural adorning the Kinloch Park basketball courts...

William LaChance's pictures are associations of displaced forms and colors cribbed from graphic design, fashion, art history and nature itself cobbled together using a variety of met...

William LaChance's pictures are associations of displaced forms and colors cribbed from graphic design, fashion, art history and nature itself cobbled together using a variety of met...

William LaChance's pictures are associations of displaced forms and colors cribbed from graphic design, fashion, art history and nature itself cobbled together using a variety of met...

Karen Silve developed an interest in Post-Impressionist and Fauvist painting, and they informed her early figurative abstractions. She studied in the graduate painting and design pro...

Beatriz Simón · Mexican visual artist with more than 25 years of experience. Her work is primarily inspired by people and their essence, by their inner strength and motivation to ove...

"Linling Lu is best known for her hard-edge, circular abstract paintings with concentric rings of color. Her human-scale paintings have been described as inducing states of meditation. Lu’s work also includes sculptures of interlocking wood blocks, shaped paintings, and sewn fabric collages. Her abstractions have been compared to the Washington Color School painters such as Kenneth Noland. Linling Lu’s large-scale painting compositions are included in Fields and Formations, A Survey of Mid-Atlantic Abstraction, curated by Kristen Hileman. The 12-artist group exhibition recently traveled from The Delaware Contemporary Museum to American University Museum and remains open through May 22, 2022. Linling Lu: Musical Meditations, a solo show (Feb19-June 5,2022) opened at Kalamazoo Institute of Arts, the area's premier destination for fine art, contains a series of paintings created from 2019 to the present, many of which were composed during the two years of the ongoing pandemic. Lu views these works as a means of “healing from the chaos and uncertainty of life.” Lu’s large, circular canvases pulsate with color and invite viewers to reflect on their memories and connections with music. Lu’s work was included in public and private collections nationally and internationally such asMicrosoftArt Collection, Capital One headquarters, CityCenter DC, Hall Arts Hotel, and the permanent collection of the Embassy of The United States of America in Beijing among a group of artists including Cai Guo-Qiang, Maya Lin, Betty Woodman, Xu Bing, Jeff Koons, and Fred Tomaselli...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

RICHARD ANUSZKIEWICZ Translumina with Deep Blue (No. 839), 1986 Acrylic on canvas 48 x 48 inches

RICHARD ANUSZKIEWICZ Untitled (Knot No. 1119), 1986-2020 Acrylic on canvas 48 x 48 inches

RICHARD ANUSZKIEWICZ Untitled (Knot No. 1118), 1986-2019 Acrylic on canvas 48 x 48 inches

Loretta Howard Gallery is pleased to present a selection of important paintings by Cleve Gray from the 1970’s. Wrought in deeply saturated fields of color and marked with calligraphic brushwork, the paintings on display exemplify the artist’s mature style. They highlight the artist’s lifelong affinity for Japanese and Chinese art and philosophy. His familiarity with Asian cultures began at Princeton University where he studied Far Eastern Art under George Rowley and wrote his thesis on the landscape painting of the Yuan dynasty. The resulting paintings illustrate a synthesis of western and eastern art historical conventions as Gray infused the radical sensibilities of Abstract Expressionism with Zen quietude. Also on view are a selection of hanging scrolls collected by the artist during his visits to China and Japan. These scrolls, which highlight a meditative approach, also contain an intensity and immediacy of action that Gray sought in his own work. In an essay written in the accompanying catalog, Luke Gray...