Christine Averill-Green

"Solitaire" Abstracted Still Life Floral Painting

2024

This still life oil painting by John Traynor captures a scene of a large bouquet of purple and pink lilacs in a colorful, porcelain vase. It sits on an off-white fabric next to a lemon which is half peeled, the peel spiraling off the edge of the table on which it sits. The wall behind the bouquet of flowers is a warm, earthy sienna. The painting is signed by the artist along the lower right-hand edge of the canvas. It is 20" x 24", and 27" x 31" framed. The frame is an ornate metal-leaf frame with a linen liner. It is wired and ready to hang. Professionally framed in classic, antiqued, closed corner frame. Frame is metal leaf gold. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

This impressionistic still life painting by Jon Traynor captures a wooden table top surface with an assortment of root vegetables and a porcelain vase filled with a bouquet of flowers. The painting overall features a warm, earthy palette which gives the sense of a warm glow being cast over the scene. The painting itself is 20" x 24" and 28" x 32" framed. It is professionally framed in an antiqued gold-hued frame. It is signed by the artist in the lower right-hand corner, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

This abstracted figure painting by Christine Averill-Green features a unique warm pink and contrasting yellow-green palette. It captures a woman who ap...

This abstract geometric painting by Ned Martin is made with oil on gallery wrapped canvas and features a cool charcoal grey and metallic silver palette. It is signed by the artist on...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...