Daniel Brice

OX 86

2017

oil on paper In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched southern ...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...

Inspired by cartography from an early age, Chase Langford’s abstract paintings transform the familiarity of cities and maps into fluid visions, evoking the feeling of the location with carefully selected color and precise shapes. In the 1980’s, after studying cartography at UC Santa Barbara and drawing maps for the UCLA faculty, Langford began exploring ways to combine his mastery of map-making with his love of fine art. In his original map paintings, Langford reinterprets geography by taking selected features from maps and filling in the reconfigured shapes with flurries of color, exploring varied locations such as Essex, England and the Galapagos Islands. In his “Morphic” series, Langford once again finds inspiration in specific geographic regions, abstracting them until they are nearly unrecognizable with colors interweaving and flowing around each other. Almost seeming to mimic the fluid strata of the Earth, Langford adds and scrapes away layers of oil paint, building up intricate textures while simultaneously revealing the colors below. Langford’s highly-collected “Chroma” series began as a happy mistake. One day, displeased with the brushwork of a painting, he decided to obscure the image by painting small rows of vertical brushstrokes; in doing so, he took note of the beauty of organic uniformity. After years of refining his technique, Langford created the trance-like paintings that he likes to think of as rows of city blocks on a map. Langford has completed many site-specific commissions, including for Monique Lhuillier, Inc.; the Michael & Susan Dell Foundation; and Caesar’s Palace...

Drawing from the ever-changing nature of California light, Gregg Renfrow works in translucent layers, pouring mixtures of polymer and pigment over sheets of cast acrylic. A disciple...