Dirk Kortz

Her Trophy

2020-2021

Ann Marie Auricchio discusses the work comprising her series, Crescendo… My artistic practice originates from a raw visceral space where I create emotionally driven paintings captur...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

These paintings are images taken directly from life with my daughters. They each represent a fragment of their childhood that is rapidly disappearing. I have chosen to create visual ...

These paintings are images taken directly from life with my daughters. They each represent a fragment of their childhood that is rapidly disappearing. I have chosen to create visual ...

Provenance: Private Collection, Paraguay. This unpublished Head of the Virgin is a new addition to the rich corpus of paintings by Giovanni Battista Tiepolo. While the artist freque...

Provenance: David Davis, Los Angeles, California. Toni Lynn Russo, Los Angeles, California; her estate until 2024. Exhibited: Münchener Glaspalast Jahres Ausstellung, 1902, no. 1071...

Oil on Canvas, 1935 by Dietz Edzard ( German/French 1893-1963 ) Height: 17.99 in ( 45,7 cm ), Width: 12.99 in ( 33 cm ) With the artist's signature stamp at lower left. Framed. Prope...

Oil paint on canvas, 1925 by Constantin Gerhardinger, Germany. Signed and dated lower left: . V.25 C Gerhardinger. Framed. Measurements: 43.5 x 37.99 in ( 110,5 x 96,5 cm )