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Federica Patera and Andrea Sbra Pereg
Fiber painting: 'Auto-disastro concettuale'

2021

About the Item

The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

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'I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to this day - as I believe that eggs are events - not simply objects. The shells (while the protective casing for the new life inside) are memories of the primal events that produced the eggs, intended as new life. In order to infuse new life into this ancient folk art, I have manipulated traditional processes with innovative dyeing & brush techniques, and etching, to forge a new visual language to write on this versatile, organic sphere. The facility of the shell for a range of techniques (batiking, scratching, painting, gilding) affords me a great range of visual expression to manifest ideas, events, and fantasies. “Ancient design for a new worldview” has been the mantra underpinning my studio philosophy and praxis. Picking up pieces of broken eggshells and reconstructing them into new images, the work of my studio, seems like an apt metaphor for this moment. This process born out of recycling studio detritus has offered me a new way to construct new worldview's. Bringing forward from the past images, designs, and compositions can visually realign how we see our own world in these times.' -Paul Wirhun
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Batiked Eggshell Collage on Found Wood: 'Striped Bass'
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'I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to this day - as I believe that eggs are events - not simply objects. The shells (while the protective casing for the new life inside) are memories of the primal events that produced the eggs, intended as new life. In order to infuse new life into this ancient folk art, I have manipulated traditional processes with innovative dyeing & brush techniques, and etching, to forge a new visual language to write on this versatile, organic sphere. The facility of the shell for a range of techniques (batiking, scratching, painting, gilding) affords me a great range of visual expression to manifest ideas, events, and fantasies. “Ancient design for a new worldview” has been the mantra underpinning my studio philosophy and praxis. Picking up pieces of broken eggshells and reconstructing them into new images, the work of my studio, seems like an apt metaphor for this moment. This process born out of recycling studio detritus has offered me a new way to construct new worldview's. Bringing forward from the past images, designs, and compositions can visually realign how we see our own world in these times.' -Paul Wirhun
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