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19th Century Chinese schoolChinese portrait of a gentleman from the court
$827.61
£600
€705.88
CA$1,145.28
A$1,274.61
CHF 663.59
MX$15,392.26
NOK 8,322.05
SEK 7,860.70
DKK 5,271.03
About the Item
The painting is executed with meticulous precision on delicate rice paper, typical of Chinese export art produced for Western collectors in the 18th or 19th century. Its composition is balanced and symmetrical, centered around a distinguished Chinese man seated in quiet dignity.
The man, likely an official or nobleman from the imperial court, is the focal point. He sits calmly on an ornate wooden chair with carved details—perhaps lacquered and inlaid with mother-of-pearl or gold paint. His posture is formal yet relaxed, with one hand resting on his lap and the other possibly holding a folded fan or scepter-like baton, symbols of rank and status.
His robe is richly embroidered and voluminous, rendered in deep imperial hues—navy, dark green, and crimson—often reserved for court attire. The robe’s surface is adorned with auspicious motifs: dragons coiled in clouds, cranes in flight, or circular medallions that signify his rank. The embroidery is painstakingly detailed, with gold-thread highlights that shimmer subtly against the paper’s soft texture.
A mandarin square (rank badge) may be prominently displayed on the front of his robe, marking his civil or military status. Around his neck, he may wear a court necklace of carved beads, and on his head, a dark hat with a red silk button or finial—standard for court officials.
The carpet underfoot is bold and luxurious, its patterns echoing Chinese symbolism—wave borders, stylized lotus petals, or geometric fretwork. The vibrant colors and strong design give depth and visual weight to the floor, anchoring the figure in the scene.
Behind him stands a small, refined side table of dark wood. On it rests a graceful porcelain or cloisonné vase, filled with a vertical spray of flowers—perhaps orchids, plum blossoms, or pine branches—each chosen not only for their beauty but for their cultural significance: purity, resilience, and longevity.
The background is a flat, immaculate white wall—stark and unadorned. This minimalist space draws attention to the seated figure and his elaborate attire, allowing the viewer to focus on the elegance, authority, and cultural nuance embodied in his presentation.
Altogether, the painting conveys a subtle grandeur—celebrating refined taste, social hierarchy, and the symbolic language of Qing dynasty court life. It serves both as a portrait and as a cultural window, crafted for Western eyes fascinated by the exotic and ceremonial world of the Chinese elite.
The size of the painting is
25 x 16.5 cm
- Creator:19th Century Chinese school (1775 - 1900, Chinese)
- Dimensions:Height: 14.18 in (36 cm)Width: 10.63 in (27 cm)
- Medium:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:GB
- Reference Number:Seller: b211stDibs: LU2841216592012
19th Century Chinese school
Paintings from the China Trade Beginning in the late 1700s, an increasing number of international merchant vessels began bringing back to their respective ports cargos of exotic objects from China which found ready markets in America and Europe. An insatiable interest in Asian things resulted in a range of exquisite objects created by Chinese artisans specifically for the western markets. Among the items that filled the holds of the sailing ships were furniture, silk embroideries, lacquerware, ivory carvings, fans, and a fascinating variety of paintings. These paintings offered first hand documentation of the ships that plied the Far East Trade and the exotic ports they visited. These early ‘China Trade’ paintings are considered to be some of the finest harbor views and ship portraits ever produced. They usually have no signatures or labels and offer little or no indication of who the artist was. Only a score or so names from the period are even known and these may be positively identified with only a very few paintings.
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