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Addison Thomas Millar
Market Scene

Late 19th Century

$28,000List Price

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The Courtship by Orientalist School
Located in New York, NY
A fine oil painting of a man courting a woman. Artist: Orientalist School (19th/20th century) Date: 19th century Origin: French Medium: oil on canvas Dimensions: 35.5 in. x 20 in.
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

The New Baby by Eugenio Zampighi
By Eugenio Zampighi
Located in New York, NY
EUGENIO ZAMPIGHI Italian, 1859-1944 The New Baby Signed ‘E Zampighi’ Oil on canvas 28 1/2 in. x 40 1/2 inches Born in Modena, Italy, Eugenio Zampighi entered the local Academy...
Category

Late 19th Century Figurative Paintings

Materials

Canvas, Oil

Eugenio Zampighi Happy Family Painting
By Eugenio Zampighi
Located in New York, NY
EUGENIO ZAMPIGHI Italian, (1859-1944) Happy Family Signed ‘E Zamphigi’ 29 in. x 41 3/8 in. Born in Modena, Italy, Eugenio Zampighi entered the local A...
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

The Baby’s Bath
By Eugenio Zampighi
Located in New York, NY
EUGENIO ZAMPIGHI Italian, 1859-1944 The Baby’s Bath Signed ‘E Zampighi’ Oil on canvas 22 1/4 x 41 1/2 inches Born in Modena, Italy, Eugenio Zampighi e...
Category

Late 19th Century Figurative Paintings

Materials

Canvas, Oil

Knitting Lesson
By Eugenio Zampighi
Located in New York, NY
EUGENIO ZAMPIGHI Italian, 1859–1944 Knitting Lesson Signed 'E. Zampighi' Oil on canvas 27 x 34 1/2 inches Born in Modena, Italy, Eugenio Zampighi entered the local Academy of D...
Category

Late 19th Century Figurative Paintings

Materials

Canvas, Oil

Odalisque
Located in New York, NY
Italian, ca. 19th century Odalisque Signed illegible Oil on canvas 51 in. x 21 3/4 inches Framed: 61 1/2 x 32 1/4 inches
Category

1890s Figurative Paintings

Materials

Canvas, Oil

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Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...
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18th century oil sketches for a Baroque interior - a pair
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A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...
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Oil paint on canvas Hand-signed lower right This work is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The...
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