Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Adegbenro Adeola
Kuluso (Ant-Lion Larvae)

2020

About the Item

The artwork titled "Kuluso (Ant-Lion Larvae)" is a captivating piece that portrays a man standing beside a woman carrying a child who is breastfeeding. The artwork was created by Nigerian artist Adegbenro Adeola. The artwork features a man and a woman, both dressed in traditional clothing. The woman is holding a child who is suckling on her breast, while the man stands beside her, his gaze fixed in distance. The title of the artwork, "Kuluso (Ant-Lion Larvae)," is derived from the Yoruba language. The ant-lion larvae, or kuluso in Yoruba, is a small insect that is found in the region and is known for its tenacity and resilience. The title is significant in that it speaks to the strength and resilience of the people of Nigeria, who have endured many challenges and hardships throughout their history. The artwork is a powerful representation of the bond between a mother and child, and the role of the father in supporting and protecting his family. The woman's nudity and the child's breastfeeding symbolize the natural, life-giving aspect of motherhood, while the man's presence suggests the importance of male support in the nurturing of children. Furthermore, the artwork also speaks to issues of cultural identity and the legacy of colonialism in Nigeria. The use of traditional clothing reflects Adegbenro Adeola's desire to celebrate and preserve Nigerian cultural heritage. This is particularly significant in a country that has experienced a long history of colonization and cultural erasure. In conclusion, "Kuluso (Ant-Lion Larvae)" is a beautiful and thought-provoking artwork that speaks to issues of family, cultural identity, and resilience. Adegbenro Adeola's use of color, form, and symbolism creates a powerful representation of the human form that is both visually striking and emotionally resonant. The artwork serves as a reminder of the importance of preserving cultural heritage and the role of the family unit in sustaining and nurturing society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)
  • Creator:
    Adegbenro Adeola (1992, Nigerian)
  • Creation Year:
    2020
  • Dimensions:
    Height: 58 in (147.32 cm)Width: 46 in (116.84 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Ibadan, NG
  • Reference Number:
    1stDibs: LU1717212002892

More From This Seller

View All
Deserving More
By Bakare Abubakri-sideeq Babatunde
Located in Ibadan, Oyo
In "Deserving More," the central figure, a man, sits solemnly on a chair, his gaze piercing through the canvas to meet the audience's eyes. A subtle sadness etches his features, refl...
Category

21st Century and Contemporary Expressionist Mixed Media

Materials

Fabric, Canvas, Oil, Acrylic

Ogbontarigi Obinrin (Extraordinary Woman)
Located in Ibadan, Oyo
"Ogbontarigi Obinrin (Extraordinary Woman)" is a captivating artwork crafted by the talented Abiola Olabamiji. This masterpiece celebrates the essence...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

Phantom of the Brotherhood
Located in Ibadan, Oyo
"Phantom of the Brotherhood" describes the hoax of the reality of man and his flowers. At the center of his burdens, accomplishments, and rest; mostly his brothers dare to acknowledge his weight and the burden he bore. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Oil, Acrylic, Pencil

See Beyond 1
Located in Ibadan, Oyo
I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

See Beyond 1
$2,280 Sale Price
20% Off
See Beyond 2
Located in Ibadan, Oyo
I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic, Oil, Mixed Media

See Beyond 2
$2,560 Sale Price
20% Off
Black Angel
Located in Ibadan, Oyo
Black Angel in a bustling city, where towering buildings cast shadows and exhaust fills the air, a hidden struggle unfolds. Olamide silently prayed for her...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

Black Angel
$2,040 Sale Price
20% Off

You May Also Like

"Uomo alla finestra (sbarre)" by Enzio Wenk, 2018-Acrylic, Oil, Expressionism
By Enzio Wenk
Located in Bresso, IT
Translated title: "Man at the window (barriers)". Acrylic paint and oil paint on canvas. The artist sells the handmade, original and one-of-a-kind piece, but he reserves the right...
Category

2010s Expressionist Figurative Paintings

Materials

Canvas, Acrylic, Oil

Original-Autumn in London-Expression- UK Awarded Artist-Landscape Impressionism
Located in London, GB
We offer Artist’s lifetime Warranty for Original paintings! This painting will be fully insured during transit. About the painting: To document the streets they've walked and her la...
Category

2010s Expressionist Landscape Paintings

Materials

Gesso, Acrylic, Oil, Canvas

Untitled by Enzio Wenk, 2019 - Acrylic and Oil Paint on Canvas, Expressionism
By Enzio Wenk
Located in Bresso, IT
Acrylic paint and enamel on canvas.
Category

2010s Expressionist Figurative Paintings

Materials

Oil, Canvas, Acrylic

Contemporary Intricate Abstract Women Forms in Muted Dark Earth Tones Painting
Located in ALCOY/ALCOI, ES
Title: «Orgia número 7» Collection: Muses Description: Acrylic on canvas, figurative, dark, love, gestural, modern Symbolism of the number 7: love. This image tells us an erotic story about goddesses who embark on a soft and passionate orgy. Seven naked and uninhibited women in a paradisiacal setting." Based on this description, the artwork in question is likely an erotic depiction of goddesses engaging in a sensual and passionate orgy. The symbolism of the number 7, which represents love, adds an additional layer of meaning to the artwork. The artwork is described as paradisiacal, suggesting that the women are enjoying themselves in a lush and idyllic environment. The image may be highly sensual and erotic, with a focus on the beauty and sensuality of the female form. The story being told is one of uninhibited pleasure and eroticism, with the goddesses embracing their sexuality and engaging in a free and passionate sexual experience. Victoria Tsemka...
Category

2010s Expressionist Figurative Paintings

Materials

Canvas, Acrylic

"Untitled Female"
By Richard Wilson
Located in Detroit, MI
“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...
Category

2010s Expressionist Figurative Paintings

Materials

Canvas, Acrylic

"Untitled Female" Clothed Female Figure, Bright Colors, Detroit Symbols
By Richard Wilson
Located in Detroit, MI
“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...
Category

2010s Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Recently Viewed

View All