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Alan FeltusUNTITLED (WOMAN & LANDSCAPE) - Portrait / Italy / Female Figure1997
1997
$7,000
£5,311.44
€6,073.16
CA$9,777.10
A$10,870.81
CHF 5,676.14
MX$132,324.19
NOK 72,425.02
SEK 67,858.78
DKK 45,325.08
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About the Item
Original Oil Painting by Alan Feltus.
Alan Feltus (b. 1943, Washington, DC) studied at the Cooper Union where he received his BFA in 1966, and at Yale University where he received his MFA in 1968. Feltus is well-known for his paintings of female figures inspired by classical Greek sculptures and early Renaissance art. Created without the use of live models, Feltus’s paintings are intuitive, portraying the complexities of human relationships through the use of negative space. About his work he says, “I am interested in the psychological play that can be variously interpreted between my figures.”
Feltus’s work has been shown in many solo and group shows including exhibits at the Lux Art Institute in Encinitas, CA, and the Boulder Museum of Contemporary Art. His work is found in the collections of the Smithsonian American Art Museum, the Hirshhorn Museum and Sculpture Garden, the Arkansas Museum of Fine Arts, the Huntington Museum of Art, the National Academy of Design, the Oklahoma City Art Museum, and the American Academy in Rome, among others. He was awarded the Rome Prize Fellowship in 1970.
Feltus currently lives and works in Italy.
- Creator:Alan Feltus (1943, American)
- Creation Year:1997
- Dimensions:Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU27714670552
Alan Feltus
Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. Feltus studied for one year at the Tyler School of Fine Arts in Philadelphia, and then received a BFA from Cooper Union in New York, and an MFA from Yale University. Since 1987, he has lived and worked in Italy. In his paintings, while working intuitively, he choreographs figures in enigmatic relationships, without referring to live models or preconceived concepts and compositional ideas. He creates a silence in his paintings and avoids specific meanings, believing that paintings “which are difficult or seemingly impossible to fully comprehend” are the most interesting. Feltus has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P.R. Neilson Prize from the National Academy of Design. His work has been featured in exhibitions around the country and he’s had solo museum exhibitions at the Boulder Museum of Contemporary Art, The Huntington Museum of Art in WV, and the Wichita Art Museum. His work is in public collections that include the Arkansas Art Center, the Bayly Art Museum in Charlottesville, VA, The Corcoran Gallery of art, Hirshhorn Museum and Sculpture Garden, and Smithsonian American Art Museum in Washington, D.C., the Huntington Museum of Art in WV, the National Academy of Design in New York, the Oklahoma City Art Museum, and the Wichita Art Museum.
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