Albert Pels

Unique Painting By Albert Pels WPA Artist!

Portrait of Juliet Hyneman by Jewish American artist Herman N. Hyneman Signature lower left Framed dimensions: 25 1/2 x 21 1/2 in. The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel...

Herman Hyneman (1849-1907) Portrait of the Artist's Wife, c. late 19th century Oil on canvas 21 1/2 x 29 1/2 in. Framed: 27 1/2 x 35 1/4 in. The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Mystery Spanish Artist Untitled, c. 1800s Oil on canvas 8 1/2 x 12 1/2 in.

Andrew Thomas Schwartz (American, 1867-1942) The Fates, c. 1900 Oil on canvas 30 x 30 in. Framed: 39 1/4 x 39 in. Andrew T. Schwartz was born in Louisville, Kentucky. His early education was in the public schools of his hometown, where he showed great promise as an artist. In 1890, he began intense art study with the famed Frank Duveneck at the Cincinnati ArtAcademy. He later studied with H. Siddons Mowbray at the Art Students League in New York, where he was awarded the Lazarus Scholarship for mural painting to study abroad, which resulted in three years of study in Italy, France, Germany and England. He was, at the time, only the second person to win that award. His work from the Lazarus trip was the subject of an individual show at the Pratt Institute in Brooklyn. He returned to the United States to assist his teacher Mowbray in decorating the University Club and J. P. Morgan's private library in New York. He later worked independently and developed a following as a mural painter. His reputation was certainly enhanced by the mural Christ, the Good Shepherd for the Baptist Church in South Londonderry, Vermont, which was considered at the time one of the best examples of mural painting. Other murals were painted for the Courthouse of New York, the New York YMCA, the Atkins Museum of Fine Art in Kansas City and the Kansas City Life Insurance Company Building. Schwartz also painted a number of other paintings in addition to his murals, including both figurative and landscapes. Many of his landscapes are views of New England. He exhibited extensively at the National Academy of Design, Pennsylvania Academy of the Fine Arts in Philadelphia, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, and other major cities. He was a member of the National Society of Mural Painters, the Salmagundi Club, the Architectural League of New York, Allied Artists of America, American Watercolor Society, the Circolo Artistico of Rome, Italy, and the Union International Des Beaux Arts et Des Lettres of Paris, France. A memorial show of Schwartz's work was held at the Lotus Club of New York City in 1944 through the efforts of the sculptor, Charles Keck. The dean of art critics of the time, Royal Cortissoz, viewed Schwartz's work before the exhibition in Keck's studio and wrote, "Schwartz could saturate an Italian scene in the handsome 'Roman Twilight' but when he came to paint the countryside of his native land he was moved solely by its racy sentiment. He had charm as well as craftsmanship." Perhaps the best tribute one artist can give another was given Schwartz by the famed American artist, Elihu Vedder...

Frida Gugler Building the Westside Highway (Near the George Washington Bridge), circa 1935-37 Signed lower right Oil on canvas 20 x 28 inches Born in Milwaukee, Wisconsin, the pain...

"Girl with Muff" is aa American figurative portrait oil on canvas painting by Robert Henri in 1912. The artwork is 57 1/4 x 38 1/4 inches and, with the frame, is 64 1/4 x 45 1/4 x 2 ...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Ready the Horses, Year: circa 1970, Medium: Oil on Canvas, Size: 24 x 30 in. (60.96 x 76.2 cm), Description: An oil painting of Co...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Native American Portrait, Year: circa 1970, Medium: Oil on Canvas, Size: 30 x 24 in. (76.2 x 60.96 cm), Description: An unfinished...