Items Similar to Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century Antwerp
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century Antwerp 1600
1600
About the Item
Adoration of the shepherds,
Cercle of Ambrosius Francken,
Early 17th century Antwerp school
Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in)
17th c. ebonized and moulded frame
Framed : h. 100 cm, w. 83 cm
Provenance: collection of Barons of Schrenck-Notzing, Munich, Bavaria, then by descent
Relating an episode in the life of Christ, our painting superimposes the Adoration of the Shepherds with the Announcement to the Shepherds in the background and illustrates a group of characters gathered in the stable around the child Jesus.
The vertical format compresses the composition by bringing the characters together and pushing them partially out of the frame. Some whose faces or even parts of faces are barely visible accentuate the density of the group. The painter places in the center the improvised cradle of the child Jesus whose white fabrics are transformed into a large point of light and draws the eye towards the center. The figures are placed on several registers: in the foreground more monumental figures with muscular and powerful bodies then smaller characters in the second and third planes. Joseph makes a separate figure with the movement of his body obliquely, he spreads himself on the donkey, pushed and embarrassed by the crowd, almost a stranger to the scene. The strongly accentuated gesture creates movement and dynamism: between the outstretched arms with open hands, the hands joined in prayer, the hands pointing the index finger towards the sky. The tumult of the scene is thus transmitted through this body language.
The palette of bright and tangy colors enchants with its pink and purplish shades, bottle greens, powerful reds, yellow ochres, oranges with golden reflections. The painter sculpts draperies of his overdressed figures with glistening crests and vibrant material from the fabrics. The sunburned male faces are executed in brown-toned ochres and appear backlit with very little lighting and in the shadows of hats. They contrast with the whiteness of Marie's skin tones.
Her illuminated face with half-closed eyes is dominated by her straight nose with a prominent tip. This feature of physiognomy appears frequently in the female faces of Ambrosius Francken (the Virgin in "The Three Marys",
Bar-sur-Seine, Saint-Etienne church; a woman in “Let the little children come to me”, private collection; a woman in “The Lamentation of Christ” at the Royal Museum of Fine Arts Antwerp)
We find her characteristic hairline is also identical to that found in the works of Ambrosius Francken.
We frequently observe in Ambrosius Francken paintings robust and muscular male and female figures in the foreground seen from behind. This inclination for antique and Italian Renaissance models was certainly transmitted by Frans Floris. These spinal twists visible or suggested by tight-fitting fabrics are naturally associated with ancient heroes.
It is thus appropriate to compare the woman seen from the back of our painting with the figures in the works of Ambrosius Francken (a woman in The Judgment of Zaleucus at the Fitzwilliam Museum, Cambridge; the executioner in Decapitation of Saint George, Royal Museum of Fine Arts, Antwerp).
If the composition and stylistic points of convergence point strongly to the works of Ambrosius Francken ("Let the little children come to me"
Private collection, "Les Trois Maries" in Bar-sur-Seine, Saint-Etienne church), our artist's brush seems more vibrant and nervous. Instead of smoothing the material, the painter superimposes very light and rapid brushstrokes without repentance to create texture and depth in the composition. His quick, but delicate and graceful strokes testify to great skill and perfect mastery of drawing, but also of light effects, virtuosity in the rendering of reflections.
Considering the number of painters in the Francken family, it seems judicious to attribute our painting to the direct entourage of Ambrosius Francken and probably to an artist from his family workshop or even a member of his family.
- Creation Year:1600
- Dimensions:Height: 39.37 in (100 cm)Width: 32.68 in (83.01 cm)
- Medium:
- Movement & Style:
- Circle Of:Ambrosius Francken (1544 - 1618, Flemish)
- Period:Early 17th Century
- Condition:professionally cleaned, revarnished and ready to be hunged on the wall.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433214027282
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
14 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFeast in the Garden of Love, 17th century Antwerp, Louis de Caullery
Located in PARIS, FR
Louis de Caullery (1582-1621)
Antwerp School early 17th century
Oil on oak panel
Dimensions: h. 51 cm (20.08 in), w. 43 cm (16.93 in)
Ebonized wooden frame
Framed: h. 67 cm (26.38 in...
Category
Early 17th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
16th century Flemish, Holy Family, workshop of P. Coecke Van Aelst (1502-1550)
Located in PARIS, FR
Rest of the Holy Family during the Flight into Egypt
Workshop of Pieter Coecke Van Aelst (1502-1550)
16th century Flemish school
Oil on oak panel,
Dimensions : panel: h. 34.25 in., ...
Category
16th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
$17,690 Sale Price
20% Off
The crossing of the Red Sea, 17th century Antwerp, studio Frans Francken
By Frans Francken II
Located in PARIS, FR
Crossing of the Red Sea
Workshop of Frans Francken II (1581-1642)
17th century Antwerp School
Oil on oak panel
Dimensions: h. 49.5 cm, w. 64.5 cm (19.49 in x 25.39 in)
Moulded and blackened wooden frame with wide mouldings, with inverted profile from the later period.
Framed dimensions: h. 82 cm, w. 97 cm (32.28 x 38.19 in)
Our panel illustrates one of the episodes of the Old Testament, recounted in the book of Exodus. After crossing the Red Sea...
Category
17th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
Lamentation of Christ - 16th century Antwerp school, Flemish
Located in PARIS, FR
The Lamentation of Christ with Saint Jean, Virgin and Mary Magdalene
First half of 16th century Antwerp school
Oil on oak panel h. 38 cm, w. 26 cm
Ebonized wood frame in flemish baro...
Category
16th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
Saint Jerome, Antwerp, 16th century, circa 1550, cercle of Lambert Van Noort
Located in PARIS, FR
Saint Jerome in the desert
Cercle of Lambert Van Noort (1520-1571, Antwerp)
Antwerp School, mid-16th century
Oil on oak panel.
Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...
Category
16th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
Flemish 17th c., Allegory of war and peace, circa 1630, by Adriaen van Stalbemt
Located in PARIS, FR
Adriaen van Stalbemt (Antwerp, 1580-1662)
Allegory of Peace and War, circa 1620-1630
Oil on oak panel: h. 49.5 cm, l. 73.2cm (19.29 x 28.74 in)
Giltwood ...
Category
Early 17th Century Old Masters Figurative Paintings
Materials
Oil, Panel
You May Also Like
Angelic Cherubs with Classical Figure in Wilderness Finely Painted Preparatory
Located in Cirencester, Gloucestershire
Figure with Cherubim in Wilderness
Italian School, 17th century
oil painting on wood panel
framed 13 x 11 inches
condition: overall for its age very good, though the work is most likely a preparatory...
Category
17th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
Italian Landscape With Figures at a Waterfall by a Follower of Jan van Huysum
By Jan Van Huysum
Located in Stockholm, SE
There are so many details to fall in love with in this 18th-century painting depicting an Italianate landscape, for example, the delicately painted figures having a conversation and ...
Category
Early 18th Century Old Masters Landscape Paintings
Materials
Oil, Wood Panel
$2,372 Sale Price
20% Off
19th century classical religious oil painting portrait female subject red dark
By (After) Giampietrino
Located in Milwaukee, WI
"Caterina d'Alexandria (Saint Catherine of Alexandria)" is an original oil painting on wood panel, likely painted by Italian artist Giampietrino (Giovanni Pietro Rizzoli). The painti...
Category
19th Century Old Masters Portrait Paintings
Materials
Oil, Wood Panel
Antique English 19th century marine scene
By William Anderson
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters.
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school.
Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours.
He based his style on that of well-known Dutch maritime...
Category
1810s Old Masters Figurative Paintings
Materials
Oil, Wood Panel
$6,360 Sale Price
20% Off
Free Shipping
Old master painting of Cherubs cavorting in a woodland setting
By Jean-Honoré Fragonard
Located in Harkstead, GB
A charming image of cherubs cavorting with sheaths of wheat in a woodland setting.
Follower of Jean-Honoré Fragonard
Cherubs cavorting before a tree
Oil on panel
10¾ x 14 inches exc...
Category
Early 19th Century Old Masters Landscape Paintings
Materials
Oil, Wood Panel
Old Woman and Boy with Candles, Oil on Panel, 1800s
Located in Stockholm, SE
In this painting titled "Old Woman and Boy with Candles" an intriguing scene unfolds before our eyes. An older woman gazes ahead, her eyes shielded from the flickering candlelight, w...
Category
19th Century Old Masters Interior Paintings
Materials
Oil, Wood Panel
Recently Viewed
View AllMore Ways To Browse
The Shepherd
Old Masters Renaissance Paintings
17th Century Wood Panels
Antique Paintings Of Jesus
17th Century Saint Paintings
Child Jesus
Crest Paintings
Antique Painters Palette
17th Century Italian Drawings
Renaissance 17th Century Painting
Paintings Of The Virgin Mary
Old Antique Bottles
Paintings Of Jesus Christ
Register Panel
Monumental Old Master Painting
Face Of Jesus
Jesus And Mary Painting
Antique Italian Bottles