America Martin

Seated Nude Female Figure in Earth Tones, Book Of Prose by America Martin

America Martin "Woman With Knees Up" Pastel & Ink on Paper 24” x 18” AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America i...

America Martin "Portrait In Olive & Peach" Oil & Acrylic on Canvas 30 x 24 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

America Martin "Wait Till The Lion Goes Away" Oil & Acrylic on Canvas 48 x 48 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration...

America Martin "Woman on Lawn Blanket" Oil & Acrylic on Canvas 45 x 80 in. 46.75 x 81.75 in Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

Jack Stevens (American, XX), Seated Female Nude, Oil on Canvas, 1978, Post-Cubist style, signed and dated upper left, signed and with two Art Students League of New York descriptive ...

Seated Woman (20) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 15 in. x 12 in. (38.1 cm x 30.48 cm)

Seated Figure by Geno (sometimes Genoi) Pettit, made in 1945, is a wonderfully 'moderne' image. The woman is wearing a roman-inspired blouse or dress and is shown against a yellow/green, chartreuse background. There is the feeling she is about to lead an ancient procession at any moment! Pettit and her husband, Guy McCoy...

Ann Graves Tanksley, Untitled (Seated Nude), oil and marker, 1984. Signed and dated, lower right. A fine, expressionist rendering, with fresh colors, on cream wove paper, painted to the sheet edges, in excellent condition. Archivally matted to museum standards, unframed. Image size/sheet size: 24 1/16 x 18 inches (611 x 457 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay Brown...