Andrew S. Conklin

Interior with iMac and Venetian Chandelier, Single Female Figure, Oil Painting

2017

This classically painted figure study demonstrates the artists understanding of the human figure. A study for a series of larger paintings based on motion capture studios. Here the model is placed in a contrived position on a midcentury modern chair surrounded by props used in the motion capture process. Andrew S. Conklin Maro on Chrome & Yellow Vinyl Modern Side Chair, 2016 oil on panel 18h x 13w in 45.72h x 33.02w cm Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

A woman strolls into a living room in a dimly lit apartment. With her back to us, we must decide what is happening. Based on Georgia Hinaris' love of the horror film genre, all that...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

"Self Portrait, Lamplight" is an oil on canvas painting. It is a self portrait of Steven Levin, sitting in a room on a couch. We see the artists personal collection of art and items ...

Still Life painting, with origins dating back to the 16th century, often depicts simple everyday objects. Conklin sets his composition with both antiquities and modern elements to bring the Still Life genre into the contemporary. Yet when a closer look is taken, his modern elements are already obsolete by today's standards. The ancient bust of Alexander is placed next to an iBook begging to ask the question - what will stand the test of time?? The piece is framed in a simple walnut frame measuring 26 x 26 inches. Andrew S. Conklin Square still life with Alexander Bust and ibook oil on linen Measures: 25 H x 25 W in 63.50 H x 63.50 W cm ACK038 Andrew S. Conklin Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Reading Room Greg Kessler, American (1966) Date: 2024 Oil on Canvas Size: 30 x 40 in. (76.2 x 101.6 cm)