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Bernard Aptekar
The Speeding City Stretches Into Flesh - Figurative Painting with Pastel Colors

2009

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the message, as well as the use of a palette with low contrast colors like light blue, green and pink, has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This artwork titled "The Speeding City Stretches Into Flesh" is an allegory about the hectic and fast pace of life negatively affecting people living in big cities. The shape of the city vaguely reminds the south part of Manhattan, where Aptekar has been living for the past 60 years.
  • Creator:
    Bernard Aptekar (1936, American)
  • Creation Year:
    2009
  • Dimensions:
    Height: 40 in (101.6 cm)Width: 34 in (86.36 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The painting comes with a wooden gilded frame provided by the artist. The framed dimension is 48"x 42".
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: BA0171stDibs: LU24924203382

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Joseph Heller Thinks About Catch-22 - Portrait Painting with Pastel Colors
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Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the message, as well as the use of a palette with low contrast colors like light blue, green and pink, has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. The title of this artwork "Joseph Heller...
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A Tough Citizen
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As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
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1980s Expressionist Figurative Prints

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Moving Woman
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...
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1980s Expressionist Figurative Prints

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Man Into Machine
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As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
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1980s Expressionist Figurative Prints

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They Won't Be Stopped
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As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
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1980s Expressionist Figurative Prints

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