Bratin Khan

Christ, Charcoal & Pastel on Canvas, Black by Contemporary Artist "In Stock"

2009

Suhas Roy - Christ Charcoal on Canvas 12 x 16 inches, 2014 ( Framed & Delivered ) In this untitled work, Suhas Roy presents a serene yet poignant visage rendered in mixed media, env...

Mintu Naiya - Jesus Christ - 12 x 10 inches ( unframed size ) Mixed Media on paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Gra...

Simon Bisley, English, born 1962, graphite and ink on paper drawing of the bound Christ on deep black ground, 2000. Signed and dated on the lower right: Simon 00. Framed. One of a kind artwork. Note: Simon Beasley is a comic book artist whose work was especially popular in the 1990s with his name associated with ABC Warriors, a comic strip about robots, Lobo, a Black-American anti hero, and Slaine, a fantasy series based on Celtic myths. Bisley uses paints, inks and airbrushes for his comic illustrations and is much inspired by rock album covers...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...