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Charles Edward Chambers
The Good Earth - Asian Love Story

Circa 1920 - 1930

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    By John Philip Falter
    Located in Miami, FL
    John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...
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    1950s Academic Figurative Paintings

    Materials

    Oil, Canvas

  • Portrait of Theresa Rogers
    By Leon Kroll
    Located in Miami, FL
    Portrait of Theresa Rogers Housed in a period hand carved wood frame. Some scatter minor paint loss and stretcher marks otherwise presents very well Signature: Signed lower right T...
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    1930s Academic Portrait Paintings

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    Oil

  • Portrait of a Redhead in Profile
    By Leon Kroll
    Located in Miami, FL
    Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed
    Category

    1930s Academic Portrait Paintings

    Materials

    Oil, Wood

  • Blond Girl with Basket of Flowers "Rosemary's Playmate"
    By Francis Luis Mora
    Located in Miami, FL
    This is an almost lifesize portrait of a charming blond holding a basket of freshly picked flowers. The girl set against a verdant landscape with blue sky and cumulus clouds. The subject is the friend of the artist's daughter. 78 x 42in. framed. This joyful image of youth looks better in person due to its impressive size and clearly will be a statement piece in any home. Francis Luis Mora ( ( Uruguayan / American, 1874-1940) Studied under Edmund Charles Tarbell...
    Category

    1910s Academic Figurative Paintings

    Materials

    Canvas, Oil

  • Beautiful Woman, The Coy Look
    By Charles Joshua Chaplin
    Located in Miami, FL
    If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...
    Category

    1880s Academic Portrait Paintings

    Materials

    Oil

  • Asian Love Story - The Good Earth - Golden Age of Illustration
    By Charles Edward Chambers
    Located in Miami, FL
    Magazine Story Illustration most likely for Cosmopolitan or Woman's Home Companion. Caption: "'I will not heed these old ones,' said the maid. 'Let us flee together somewhere and ...
    Category

    1920s Academic Figurative Paintings

    Materials

    Adhesive, Oil

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    Woman Reading by JOZEF ISRAËLS (1824-1911) Oil on Panel 21 x 12.5 cm (8 1/4 x 4 15/16 inches) Signed lower right Executed circa 1870 Artist biography D...
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  • Portrait of my Young Daughter
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    Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...
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  • 19th Century French Realist Oil Profile Portrait of Lady Beautiful Quality
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    Rudolf KLINGSBÖGL Austrian Viennese painter and teacher. Chassidic rebbe with Shtreimel. Klingsbogl was active in Vienna and is known for his typical portraits and paintings of interiors - workshops, pubs and cellars. His style is very distinctive. rare to find good jewish work that survived the holocaust as so much of it was destroyed. Other works by Rudolf Klingsbogl (sometimes known as Klingsberg}: Rabbis Studying Around a Table, The Huntsman, The Pet Bird, Blacksmith Interior Scene, Three Men with Chat and Drink, The Sailors, The Old Drinker, Debating the News, Sunday Afternoon, Man Looking at Pocket Watch. Game of Cards in a Tavern, Wolfgang Amadeus Mozart as a Child, Franz Schubert at the Piano, Johann Strauss (The Younger). Realistic portrait of an older rabbi visiting and blessing a child in a European marketplace...
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  • A Pompeian Lady
    By John William Godward
    Located in New Orleans, LA
    John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...
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