Claudio Pinto

"The Power" Compelling, Authoritative Painting of Three Figures

“Push Play” is a framed oil on canvas painting by Sherri Belassen, depicting an abstracted figure on a swing. The artist’s technique of applying layers upon layers of paint over expr...

Alina Maksimenko was born in 1974 in Kiev, Ukraine. She studied art at T.G. Shevchenko University and Boychuk University. She graduated from university in 1993 and began exhibiting i...

"Current Cameo" is a framed mixed media work on canvas by Christopher Peter, depicting an abstracted silhouette of a female figure. The artist's technique of layering paints, handmad...

"Poise" is a framed mixed media work on canvas by Christopher Peter, depicting an abstracted silhouette of a standing female figure. The artist's technique of layering paints, handmade papers, and gold leaf creates a luxurious texture and adds visual interest to both the silhouette and the negative space. This piece is finished in a silver scoop floater frame with a whitewashed woodgrain effect on the frame’s interior and sides. Pricing includes the pictured frame. Unframed dimensions are 72 x 36 inches. About the artist: Christopher Peter was raised in Phoenix and received his formal art education at Arizona State University. He joined galleries across the US and presented his first international exhibition in 2017 at Miami’s Art Basel. Well known for using unconventional materials, Christopher’s work focuses on painting figures and floral elements. Combining and blurring the boundaries between these disciplines, a personal narrative is created between the viewer and the work that hints at the artists’ ultimate goal of using painting...

"Nearly Camouflaged Cow III" is a framed acrylic painting on canvas by Joshua Brown, depicting a closeup of a cow with a prominently pink nose. This playful work features careful bru...

"Little Pond" is a framed acrylic on canvas painting by Ariel Vargassal, depicting a man in a suit partially submerged in water with koi fish and a pint of ice cream. The hyperrealis...

Dramatic oil on canvas surrealist painting by John Abrahamson (American 20th Century) depicting a nude male with the motto Partitus Ero or I wager in Latin. Abrahamson is known for h...

Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Oil on canvas painting by Heinrich Richter (German/Polish, 1920-2007). Painting is titled #50, signed and dated 1969. Heinrich Richter has had numerous solo and group exhibitions in ...

Karen Shahverdyan „Eleven“ 129 X 147cm, oil on canvas

Karen Shahverdyan „Autumn balance“ 90 X 110cm, oil on canvas

Karen Shahverdyan „Mountains“ 80 X 100cm, oil on canvas