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Constant Troyon
Le Berger et la Mer (The Shepherd and the Sea), 19th Century French Landscape

c. 1840

$38,500
£29,243.90
€33,698.88
CA$54,217.54
A$60,108.15
CHF 31,589.18
MX$735,625.24
NOK 394,516.75
SEK 370,293.44
DKK 251,541.24

About the Item

Constant Troyon (French, 1810-1865) Le Berger et la Mer (The Shepherd and the Sea), c. 1840 Oil on canvas 32.75 x 50.75 inches 40 x 57 inches, framed This work depicts a shepherd and his sheep dog tending his flock on a sunny path with a view of the sea. The coast appears to be Normandy, and the shepherd’s Breton-style hat indicates that he may be far from home. While the central sheep looks directly to the viewer, the shepherd looks off to sea. This motif, with the shepherd gazing off over the sea, may be a reference to La Fontaine’s fable The Shepherd and the Sea. Constant Troyon was born in 1810 in Sèvres, the son of a decorator of porcelain. He received his early training in this craft at the royal china works of Sèvres but at the same time followed his own interests by sketching out-of-doors in the vicinity of Meudon and Saint-Cloud. Like several of the other landscape painters of his generation who ultimately formed the group of Barbizon, he was essentially self-trained. His acquaintance with the painter Paul Huet (1803-1869), begun in about 1830, brought him under the influence of a current of naturalist landscape painting, of English origin, that had received a strong impulse in France from the exhibition of John Constable's Hay Wain (National Gallery, London) at the Paris Salon of 1824. About 1832, the painter Camille Roqueplan (1802-1855), met by chance in the park of Saint-Cloud, introduced him to Théodore Rousseau (1812-1867), Jules Dupré (1811-1889), and Narcisse Diaz de la Peña (1808-1876), who became particularly influential on his further development. He had his first public exhibitions at the Salons of the 1830s, traveled extensively in the French provinces, and, beginning in the early 1840s, worked frequently in the forest of Fontainebleau and in Brittany. During the 1850s, Troyon frequently worked on the Norman coast, where, in 1854, he established himself in a house of his own at Villers-sur-Mer. Member of the jury of the Universal Exposition in 1855 and winner of a first-class medal at that prestigious occasion, his income enabled him to engage the architect Eugène-Emmanuel Viollet-le-Duc to build him a grand town residence with large studio. In 1859 he showed at the Salon for the last time. His health had meanwhile begun to fail. The paralytic symptoms of a venereal infection at first slowed, then put an end to his work. In the spring of 1864 he showed symptoms of persecution mania and suffered fits of rage that required his commitment to an asylum. Released after eight months of confinement, he died in Paris on 20 March 1865. He was considered at that time a painter in the very first rank of modern French artists, but by the end of the century his reputation was in decline, owing largely to the waning of public interest in the rural animal genres that had been his renowned speciality. Selected Museum Collections: Paris, Musée d’Orsay, Musée du Louvre; New York, Metropolitan Museum of Art, Frick Collection, Brooklyn Museum; Boston, Museum of Fine Arts; Buenos Aires, Museo Nacional de Bellas Artes; Cambridge, Harvard University Art Museums; Art Institute of Chicago; Detroit Institute of Arts; Los Angeles County Museum of Art; Pasadena, CA, Norton Simon Museum; Philadelphia Museum of Art; Pittsburgh, Carnegie Museum of Art; Fine Arts Museums of San Francisco; Hermitage Museum, Saint Petersburg; Taiwan, Chi-Mei Museum; Washington DC, National Gallery of Art; Williamstown, MA, Clark Art Museum
  • Creator:
    Constant Troyon (1810 - 1865, French)
  • Creation Year:
    c. 1840
  • Dimensions:
    Height: 40 in (101.6 cm)Width: 57 in (144.78 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Beachwood, OH
  • Reference Number:
    1stDibs: LU1768215755362

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