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David AronsonModernist Encaustic Painting Portrait Boston Expressionist
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About the Item
Bears old label verso from Raydon Gallery in New York city.
Aronson, David 1923-
David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists.
At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work.
In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts.
included in the catalog
Contemporary Religious Imagery in American Art
Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974.
Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.
Selected Awards
1990, Certificate of Merit, National Academy of Design
1976, Purchase Prize, National Academy of Design
1976, Joseph Isidore Gold Medal, National Academy of Design
1976, Purchase Prize in Drawing, Albrecht Art Museum
1975, Isaac N. Maynard Prize for Painting, National Academy of Design
1973, Samuel F. B. Morse Gold Medal, National Academy of Design
1967, Purchase Prize, National Academy of Fine Arts
1967, Adolph and Clara Obrig Prize, National Academy of Design
1963, Gold Medal, Art Directors Club of Philadelphia
1961, 62, 63, Purchase Prize, National Institute of Arts and Letters
1960, John Siimon Guggenheim Fellowship
1958, Grant in Art, National Institute of Arts and Letters
1954, First Prize, Tupperware Annual Art Fund Award
1954, Grand Prize, Third Annual Boston Arts Festival
1953, Second Prize, Second Annual Boston Arts Festival
1952, Grand Prize, First Annual Boston Arts Festival
1946, Traveling Fellowship, School of the Museum of Fine Arts
1946, Purchase Prize, Virginia Museum of Fine Arts
1944, First Popular Prize, Institute of Contemporary Art
1944, First Judge's Prize, Institute of Contemporary Art
Selected Public Collections
Art Institute of Chicago
Virginia Museum of Fine Arts
Bryn Mawr College
Brandeis University
Tupperware Museum, Orlando, Florida
DeCordova Museum
Museum of Modern Art Print Collection, New York
Atlanta University
Atlanta Art Association
University of Nebraska
Whitney Museum of Art
Corcoran Museum of Art
Smithsonian Institution
Portland Art Museum
Milwaukee Art Institute
Hunter Art Gallery
Pennsylvania Academy of Fine Arts
Hebrew Teacher's College, Brookline, Mass.
Container Corporation of America
Stone Foundation
The Johnson Foundation
Worcester Art Museum
University of New Hampshire
Chico State College Gallery
Munson-Williams-Proctor Institute
Witherspoon Art Gallery
Skirball Museum, Los Angeles
University of Judaism, Los Angeles
Danforth Museum of Art
Syracuse University
Boston University
Selected Solo Exhibitions
MB Modern, New York, 1997
Horwitch Newman Galleries, Scottsdale, Arizona, 1996
Louis Newman Galleries, Beverly Hills, 1977, 1982, 1984, 1986, 1989, 1992
Pucker-Safrai Gallery, Boston, 1976, 1978, 1984, 1986, 1990
Mickelson Gallery, Washington, D.C., 1985 (retrospective)
Southeastern Middlesex University, Dartmouth, Massachusetts, 1983 (retrospective)
Sadye Bronfman Art Center, Montreal, 1982
Towne Gallery, Lenox, Massachusetts, 1982
Rose Art Museum, Brandeis University, 1979 (retrospective)
American Museum of Jewish History, Philadelphia, 1979 (retrospective)
Jewish Museum and National Academy of Design, 1979 (retrospective)
Bernard Danenberg Galleries, New York, 1969, 1972
Verle Gallery, West Hartford, Connecticut, 1967
Kovler Gallery, Chicago, 1966
Hunter Gallery, Chatanooga, Tennessee, 1965
J. Thomas Gallery, Provincetown, 1964
Westhampton Gallery, New York, 1961
Rex Evans Gallery, Los Angeles, 1961
Nordness Gallery, New York, 1960, 1963, 1969
The Downtown Gallery, 1953
Boris Mirski Gallery, Boston, 1951, 1959, 1969
Museum of Modern Art, New York, 1946
Niveau Gallery, New York, 1945, 1956
- Creator:David Aronson (1923, Lithuanian)
- Dimensions:Height: 26.75 in (67.95 cm)Width: 16.75 in (42.55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:size includes frame. needs new mat and frame. minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213303992
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Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions.
Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería)
In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro).
Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC.
Select Group Exhibitions
1964 Ateneo de Caracas, Caracas, Venezuela
1965 Salón Arturo Michelena, Valencia, Venezuela
1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela
1971 Art Spectrum London, London, Great Britain
1972 Serpentine Gallery, London, Great Britain
1973 Midland Group Gallery, London, Great Britain
1974 Galería BANAP, Caracas, Venezuela
1975 Casa de Las Américas, La Habana, Cuba
Museo de Bellas Artes, Caracas
Galería de Arte Nuevo, Buenos Aires, Argentina
1976 Museo de Arte Moderno, Bogotá, Colombia
Museo de Arte Contemporáneo, Sao Paulo, Brazil
Museo de la Tertulia, Cali, Colombia
Bienal de Venecia, Venecia, Italy
1979 Centro de Artes y Comunicación, Buenos Aires, Argentina
1980 Galería NBC, Memphis, Tennessee, USA
1981 Galería de Arte Nacional, Caracas, Venezuela
Museo de Arte Contemporáneo, Medellín, Colombia
Museo de Bellas Artes, Caracas, Venezuela
1986 Museo de Arte La Rinconada, Caracas, Venezuela
1989 Galería Venzor, Chicago, Illinois, USA
1990 Museo Bellas Artes, Santiago de Chile, Chile
1992 Ambrosino Gallery, Coral Gables, Florida, USA
1993 Museo de Arte de Petare, Caracas, Venezuela
Centro de Arte Lia Bermúdez, Maracaibo, Venezuela
1994 Galería Namia Mondolfi, Caracas, Venezuela
1995 Galería Art Nouveau, Maracaibo, Venezuela
Galería Cesar Sassòn, Caracas, Venezuela
Maremares Resort, Puerto La Cruz, Venezuela
Galería Durban, Caracas, Venezuela
Galería Odalys, Caracas, Venezuela
1996 Centro de Arte Grupo Li, Caracas, Venezuela
Galería Uno, Caracas, Venezuela
Centro Cultural Consolidado, Caracas, Venezuela
Espacios Unión, Caracas, Venezuela
Hebraica, Caracas, Venezuela
1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela
CELARG, Caracas, Venezuela
Galería Ocre Arte, Caracas, Venezuela
Museo de Arte Contemporáneo , Maracay, Venezuela
Galería Medicci, Caracas, Venezuela
Awards
1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela
1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela
1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela
1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes,
1973 Premio Emilio Boggio...
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Gurevich Anatole Anatol Gurevitch Anatol Gurewitsch (1916-2005)
Per the hebrew label on the back, this was exhibited in 1951. I believe at the Tel Aviv museum of art (as per the Israel Museum (Jerusalem) website)m in a manner reminescent of Bezalel Schatz, Moshe Castel, Jean david and other Israeli artists of the New Horizons prominent in that period ts a nude crouching figure against a colorful abstract background.
Israeli Painter and stage designer. Yakir of Tel Aviv. Born in Russia, Moscow in the mid-teens of the twentieth century. Studied painting in Berlin. Immigrated to Palestine from Germany in 1934. Served in the British Army (1941-1946). Known for his pantings of Jewish rabbis and other Judaica subject matter. He specialized in stage design for dance troupes: the dance troupe led by Gertrude Kraus, Inbal, the Batsheva Dance Company, the international black dancer tali bati. His first wife was the late dancer and choreographer - the girl Kesten, His son is theater director Michael Gurevich. His second wife was the actress - Rivka Gur, who gave birth to his second son, Eyal. He died at the age of 89 after a serious illness. He left behind two sons: Michael (Miki) Gurevitch and Eyal Gurevitch. He was the uncle of the artist and sculptor - Igael Tumarkin.
He was a stage designer in the theaters
The brothel of Hunzo from Kibbutz Givat Haim, the British military band of this type, the British army, Gertrud Kraus, the Inbal Dance Theater, the Israeli Ballet, the Batsheva Dance Company and more.
He designed a stage for plays
The girl and the Negro, the Threepenny Opera, a band on the Thames, the singer of the land (in the military band of 1944), the banknote to Shlomo, the tea department, Nathan the Wise, Herod and Miriam.
Awards
Yakir Tel Aviv Prize, on behalf of the Tel Aviv Municipality.
Anatol Gurewitsch, painter and Stage designer, born 1916, Moscow. After Second World War worked as stage designer. Designed costumes for dancer Gertrud Krausz. Uncle of Igael Tumarkin, and father of the theater Director Miki Gurewitsch.
Education
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1936 with Frenel Frankel
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By Nahum Tschacbasov
Located in Southampton, NY
Oil on masonite painting by the Russian/American artist, Nahum Tschacbasov. Signed top right and dated 1966. Titled verso. Condition is good. Unframed. Provenance: Sarasota, Flor...
Category
1960s Abstract Expressionist Figurative Paintings
Materials
Masonite, Oil
$6,400 Sale Price
20% Off
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