Dzemma Lia Skulme

Madonna with baby. Paper, watercolor, 85, 5x62, 5 cm

Folk girl. Paper, watercolor, 110x76 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she ende...

Reflections. 1982. Watercolor on paper, 82x84 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting w...

Youth. Paper/ watercolor. 84x59 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued ...

Threads. Paper, watercolor, 100x72 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she endeav...

"Madonna and Child" is an original watercolor and ink piece by David Barnett, signed in the lower right. The image features warm reds and purples and sketchy black lines that recall ...

Woman with child is an original Drawing pen and watercolor on paper in pencil realized in the Mid-20th Century. In good condition. The artwork is depicted skillfully through confi...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Mother and Child by BÉLA KÁDÁR (1877-1955) Gouache on paper 86 x 56.8 cm (33 7/8 x 22 3/8 inches) Signed lower right Kádár Béla This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office. Provenance Private collection, Israel The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...

Sidney Simon, American (1917 - 1997) - Mother & Child, Year: circa 1960, Medium: Gouache and Graphite on Paper, signed lower left, Size: 23.75 x 18.75 in. (60.33 x 47.63 cm)