
Jesters, Harlequins, Clowns
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Edgar BarriosJesters, Harlequins, Clowns
About the Item
- Creator:Edgar Barrios (1960, Peruvian)
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:26X30 with the frame. some minor wear to gilding on frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU382107178
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By John Hultberg
Located in Surfside, FL
John Hultberg
Oil on canvas
Panorama of pictures. 1998
Hand signed lower right, J. Hultberg ‘98.
Artist, date, and title written on verso.
Canvas 25.5”H x 35”W, Frame 26”H x 35.5”W.
Oil painting depicting a mosaic of photographs overlooking an abstract geometric landscape.
John Hultberg (1922 – 2005) was an American Abstract expressionist and Abstract realist painter. Early in his career he was related to the Bay Area Figurative Movement; he was also a lecturer and playwright.
John Hultberg was born in 1922 in Berkeley, California. Hultberg attended Fresno State College, graduating in 1943. During World War II, he was a Navy lieutenant. After the war, his education at the California School of Fine Arts (CSFA) (now the San Francisco Art Institute) was funded by the G.I. Bill. His teachers included Mark Rothko and Clyfford Still and he was a classmate of Richard Diebenkorn, who was also a mentor, James Budd Dixon, Walter Kuhlman, Frank Lobdell, and George Stillman, which whom he created a portfolio of 17 lithographs. This 1948 portfolio, titled Drawings, has been acknowledged as a landmark in Abstract Expressionist printmaking. The group has been referred to as "The Sausalito Six," because most, lived in Sausalito, north of San Francisco. Many of the "First Generation" artists in this West Coast movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective painting in favor of working with the figure. Among these First Generation Bay Area Figurative School artists were: David Park, Richard Diebenkorn, Rex Ashlock, Elmer Bischoff, Glenn Wessels, Wayne Thiebaud, Raimonds Staprans, and James Weeks. The "Bridge Generation" included the artists: Henrietta Berk, Nathan Oliveira, Theophilus Brown, Paul Wonner, Roland Petersen, John Hultberg, and Frank Lobdell. He was also a contemporary of Clay Spohn and David Park. Hultberg studied at the Art Students League of New York beginning in 1952. Hultberg was first married to Hilary Blech. In 1961 Hultberg met fellow artist Lynne Mapp Drexler...
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Large Colorful Abstract Expressionist Oil Painting Modernist Beach Landscape
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Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973"
Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso).
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Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years.
Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art.
In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn.
At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...
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Located in Surfside, FL
MELISSA MEYER (American, b. 1946),
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Hand signed, dated and titled, verso
Height: 30 inches, Width: 28 inches
Provenance: Rebecca Ibel Gallery, Columbus, OH
Melissa Meyer (born May 4, 1946) is an American artist and painter. The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". She works in various formats, large abstract paintings, watercolors, prints, monotype, monoprint and drawings made up of fields of gestures. This one is abstract swirling hues of purple, red, blue, orange and yellow,
Selected solo shows: Lennon, Weinberg, Inc., New York, NY; List Gallery, Swarthmore College, Swarthmore, PA; New York Studio School, New York, NY; Rebecca Ibel Gallery, Columbus, OH. Selected Group shows: “The Maslow Collection: Context and Content”, The Maslow Study Gallery for Contemporary Art, Scranton, PA; “Summer Reverie Invitational,” William Siegel Gallery, Santa Fe, NM.; "One of a Kind; Monoprints, Monotypes", The Gallery, Spencertown Academy...
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Located in Surfside, FL
Abstract oil painting on stretched canvas featuring figures against a dark brown background. Signed upper left.
Adolf Benca was born in Bratislava, Slova...
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By Zammy Steynovitz
Located in Surfside, FL
Framed 41.5 x 29.5 image 35.5 x 23.5
This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden.
This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children.
Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world.
His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes.
In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist.
Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times.
As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000.
Exhibitions One Man Show
1970 - Museum - Ramat - Gan
1973 - Brussels - Gallery L'Angle Aigu
1974 - London - International Gallery
1974 - Paris - Grand Palais Gallery
1975 - Milan - Brera Gallery
1976 - N.Y. Valentino Gallery - N.Y. Hilton
1977 - N.Y. Valentino Gallery - N.Y. Hilton
1978 - Basel - Actual Gallery
1978 - Geneve - Bohren Gallery
1978 - Oslo - Nobel Peace Prize Exhibit
1979 - London - Hamilton Gallery
1979 - N.Y. - Art Israel Kalt - Waldinger Gallery
1979 - N.Y. - Canty Art Gallery
1979 - Amsterdam - Schipper Gallery
1979 - Washington - International Art Fair
1980 - Cleveland -Jewish Museum
1980 - Tel-Aviv - Habima National Art Fair
1981 - Abraham - Goodman House N.Y.
1981 - San Lucas Galley - Bogota
1982 - Pedro Gerson Gallery - Mexico City
1983 - Simon Bolivar...
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Austrian Magic Realist Oil Painting Vibrant Village Landscape Scene Franz Coufal
Located in Surfside, FL
Framed 24.5 x 28.5 image 19.5 x 23 inches.
Franz Anton Coufal (Austrian, 1927 - 1999) Painter and sculptor known for figure painting, bronze sculpture, genre paintings and as a graphic artist.
After completing an apprenticeship as a locksmith, Franz Anton Coufal attended the Graphic Education and Research Institute in Vienna from 1947 to 1949 as a student of André Roder and from 1949 to 1953 took lessons from Ignaz Schönbrunner. From 1953 to 1959 he finally studied with Fritz Wotruba at the Academy of Fine Arts (diploma and master school award 1959).
Coufal then went on study trips to Germany and Italy and then settled in Vienna as a sculptor and graphic artist. His work bears the influence of Austrian Magic Realism and the artists Friedensreich Hundertwasser, Arik Erich Brauer and Ernst Fuchs. THis work also has Expressionist elements to it. He organized exhibitions in Vienna (from 1955), Paris (1962, 1970) and Brussels (1964) as well as in other Austrian cities. His most important works include the honorary grave for Leopold Figl in the central cemetery (1966). In 1979 he provided the design for the face of the silver 100 schilling coin "Festival and Congress House Bregenz", in 1980 he created the Lehár monument for the city park, and in 1987 he received the special prize in the "Danube Region Vienna" competition.
A select list of his sculptures in public spaces
"Standing youth" (19, Hameaustraße - Celtesgasse, urban residential complex; 1960)
"Reclining youth" (22, Kagran [Meißnergasse - Maißauer Gasse - Anton-Sattler-Gasse]; artificial stone, 1962)
"Flammender Turm" (16, Thaliastraße 159; marble)
Cubist marble sculpture (11, Molitorgasse at 15)
Drinking fountain (20, Adalbert-Stifter-Straße primary school; 1968)
Figldenkmal (1, Minoritenplatz, 1973)
Coufal created some of his later works for the "Harmonie" rest home for the blind in Unterdambach near Neulengbach (memorial for the 144 blind people who perished in concentration camps, unveiled in 2000; stone sculpture "Monument to Humanity" on the terrace; rose-thorn cross and tabernacle for the in-house Odilien- Chapel; bronze portrait sculpture by Robert Vogel in the entrance hall, unveiled July 3, 1994).
Bibliography
Rudolf Schmidt: Austrian artist lexicon. From the beginning to the present. Vienna: Tusch 1974-1980
Who's Who in the world. Volume 2: 1974-1975. New Providence, NJ: Marquis Who's Who 1974
Who's who in the world. Volume 3: 1976-1977. New Providence, NJ: Marquis Who's Who 1976
Who is Who in Austria with South Tyrol part (Hübner's "Blue Who is Who"). Zug: Who is who, Verlag für Personalenzyklopädien 12 1995
Otto Breicha: Franz Anton Coufal In: Franz Anton Coufal. Österreichische Staatsdruckerei, December 9-22, 1964. Vienna: Staatsdruckerei 1964
The press, July 30, 1963
Of the generation of Viennese artists Alois Mosbacher, Josef Mikl, Oswald Oberhuber, Christian Ludwig Attersee, Peter Sengl, Max Weiler, Franz Ringel, Gunter Brus, Hubert Schmalix, Wilhelm Kaufmann, Paul Flora, Oscar Larsen, Hans Staudacher, Siegfried Anzinger, Ernst Huber...
Category
20th Century Modern Landscape Paintings
Materials
Oil, Canvas
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