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Edna HibelEdna Hibel Mother and Child Original Oil Painting on Silk
$1,950
£1,480.41
€1,693.27
CA$2,724.43
A$3,030.16
CHF 1,582.26
MX$36,873.87
NOK 20,207.84
SEK 18,951.39
DKK 12,637.52
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About the Item
Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th century Cassatt for her favorite subject of mother and child. She has auction results over $5500 but her prices have gone for much more in galleries. This beautiful piece is an oil on silk laid to board. It measures 12 1/2 inches high by 9 wide. Most likely painted in the 1960s or 70s. The exquisite frame measures 20 by 16 1/2. Please look up her extensive and impressive biography on line.
- Creator:Edna Hibel (1917 - 2014, American)
- Dimensions:Height: 12.5 in (31.75 cm)Width: 9 in (22.86 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU137828546242
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Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork.
She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin.
She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts.
Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique.
She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth."
In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America."
In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts.
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Works in Permanent Collections:
Harvard University
Boston University
Museum of Fine Arts, Boston
Springfield Museum of Arts, Massachusetts
University of New Hampshire
Fleischmann Collection, Cincinnati
Detroit Art Institute
Milwaukee Art Museum
Phoenix Art Museum
La Jolla Museum, California
Lowe Gallery, University of Miami, Florida
Columbus Museum of Arts and Crafts, Georgia
WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas
Palais des Nations,Geneva, Switzerland
United Nations Headquarters, New York City
Norton Gallery, West Palm Beach, Florida
de Saisset Museum, Santa Clara, California
Russian Academy of Art, St. Petersburg, Russia
Hibel Museum of Art, Lake Worth, Florida
One Artist Exhibitions:
Shacknow Museum of Fine Arts, Plantation, Florida, 2000
Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993)
Klutznick National Jewish Museum, Washington, D.C., 1999
The Museum of Printing History, Houston, Texas, 1999 (and 1998)
Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994)
Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994
Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992
Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg),
Russia, U.S.S.R., 1990
Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990
Galerie Vindobona, Bad Kissingen,West Germany, 1988
The National Museum of Women in the Arts, Washington, D.C., 1989
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About the artist:
Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction.
Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual.
Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths.
Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983.
Education:
1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond.
Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter
Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris
Teaching:
1947 -1949 Art Students League
Selected Bibliography:
Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991.
Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery.
1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950.
Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43.
1949 Annual Exhibition of Contemporary American Painting. New York: Whitney
Museum of American Art, 1949.
Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill.
Upton, Melville, "George Binet Gallery," Sun, December 13, 1947.
Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947.
"Victor Thall at Binet Gallery," Art News, December 1947, p. 59.
Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947.
Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery.
Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker,
May 27, 1944, pp. 68-69
Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22.
Devree, Howard, "Victor Thall," New York Times, October 24, 1943.
Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune,
October 24, 1943
Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943.
Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition.
Victor Thall Oil Paintings, New York: Puma Gallery, 1943.
Art News, "Our Own Exhibition Gallery," June-july 1943, ill.
MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill.
Selected Public and Private Collections:
Brooklyn Museum
Desmond Child, Los Angeles
Robert Crewe, Los Angeles
Sidney Lumet, New York
Newark Museum
Billy Steinberg, Los Angeles
1968 DePoliolo Gallery, Palm Springs
1965 Studio Gallery, Naples, Florida
1964 L’lnstitute Francais d’Haiti
1964 Summit Gallery, New York City
1964 Southampton Gallery, New York City
1963 Guildhall Gallery, Chicago
1961 Leicester Gallery, London
1950 Whitney Museum , New York City
1949 Whitney Museum, New York City
1947 Binet Gallery, New York City
1946 Chinese...
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