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Evinia Bruce
Three Harlequin Figures in the Style of David Adickes

1970s

$1,800List Price

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Modern Abstract Portrait of a Woman with Child and Fish
By Lynwood Kreneck
Located in Houston, TX
Modern abstract style painting of a woman fishing. The work is signed by the artist Lynwood Kreneck, who is known for printmaking. The painting is framed in a wooden frame with a silver trim. Dimensions Without Frame: H 40 in x W 30 in. Artist Biography: Lynwood Kreneck (born 1936) received his BFA and MFA from The University of Texas at Austin. Kreneck is Professor Emeritus of Art at Texas Tech University, Lubbock, where he taught printmaking for nearly forty years. He is founding curator of the exhibition series Colorprint USA and was instrumental in the development of water-based screen print inks and methods. Kreneck is represented in numerous collections, including the Art Institute of Chicago (IL), Philadelphia Museum of Art (PA), High Museum (Atlanta, GA), Mabee-Gerrer Museum of Art (Shawnee, OK), Museum of Contemporary (Knoxville, TN), Silvermine Guild Arts...
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Late 20th Century American Modern Figurative Paintings

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Untitled Figurative Abstract Painting
By Brendan McKeon
Located in Houston, TX
Untitled red figurative abstract painting with various nude figures holding various objects by Portland, Oregon artist Brendan McKeon. The canvas is not currently framed.
Category

Late 20th Century American Modern Figurative Paintings

Materials

Acrylic

"There are Two of You" Early Modern Original Foley's Ad Layout of Woman & Mirror
Located in Houston, TX
Early modern original watercolor and gouache ad layout for Foley's by Houston portraitist Robert C. Joy. The work features a central reflection of a woman doing her makeup while wear...
Category

Early 20th Century American Modern Figurative Drawings and Watercolors

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Modern Early Texas Western Wilderness Landscape Scene of Two Men and a Hog
By Otis Dozier
Located in Houston, TX
Modern Western wilderness scene by early Texas artist Otis Dozier. The work features two men kneeling and cleaning a hog set against a desert landscape. Signed and dated in the front lower left corner. Currently hung in a wooden frame with a cream matting. Visible Dimensions Without Frame: H 14 in. x W 19 in. Artist Biography: Otis Dozier (1904-1987) was raised on a cotton farm between Forney and Mesquite, developing a love for art and nature at a young age. After his family moved into Dallas in 1920, he received his earliest art training from well-known instructor Vivian Aunspaugh. Following his 1925 graduation from Forest High School, Dozier continued his art studies at the Dallas Art Institute with Olin Travis and Tom Stell. Also, during the 1920s, he accompanied his parents and three sisters on at least three automobile trips through the American West, familiarizing himself with the region that he would later depict in his art. Six of Dozier’s works were included in 1932’s “Exhibition of Young Dallas Painters”; a number of these artists, including Dozier, Jerry Bywaters, John Douglass...
Category

1940s American Modern Figurative Paintings

Materials

Gouache

"Petite Merchand" Modern Abstract Neutral Toned Seated Merchant Figure Painting
By Gabriel Godard
Located in Houston, TX
Modern neutral toned abstract figure painting by French artist Gabriel Godard. The work features an abstract merchant figure dressed in white robes seated with their wares. Signed in...
Category

20th Century Modern Figurative Paintings

Materials

Canvas, Oil

"L'Hidalgo de la Mancha" Modern Blue Tone Abstract Expressionist Figure Painting
Located in Houston, TX
Modern blue toned Abstract Expressionist figure painting by the French painter Joël Dabin. The work features a central loose figure painting of the main character from Miguel de Cerv...
Category

1990s Modern Figurative Paintings

Materials

Canvas, Oil

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"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting
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Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...
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