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Frédéric Soulacroix
Regina dei Fiori - 19th Century Oil Painting Portrait of Italian Society Beauty

Circa 1890

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The Poet Sappho - 19th Century Pre-Raphaelite Oil Painting Beauty Ancient Greece
Located in Gerrards Cross, GB
‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908). The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...
Category

1870s Pre-Raphaelite Portrait Paintings

Materials

Oil

19th Century French Impressionist Portrait Oil Painting of Young Paris Beauty
By Jacques Emile Blanche
Located in Gerrards Cross, GB
‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...
Category

Late 19th Century Impressionist Portrait Paintings

Materials

Oil

Lost in Poetry - 19th Century French Oil Painting Belle Epoque Beauty Portrait
By Alfred Stevens
Located in Gerrards Cross, GB
'Perdu dans la Poésie’ by Alfred Stevens (1823-1906) The painting - which depicts a young Parisian society beauty reading beside an open window – is signed by the artist and present...
Category

1870s Impressionist Portrait Paintings

Materials

Oil

19th Century Neoclassical Exhibition Oil Painting of Ancient Greek Poet Sappho
Located in Gerrards Cross, GB
‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908). The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...
Category

1870s Pre-Raphaelite Portrait Paintings

Materials

Oil

Perdu dans la Poésie - 19th Century French Oil Painting Belle Epoque Portrait
By Alfred Stevens
Located in Gerrards Cross, GB
'Perdu dans la Poésie’ by Alfred Stevens (1823-1906) The painting - which depicts a young Parisian society beauty reading beside an open window – is signed by the artist and present...
Category

1870s Impressionist Portrait Paintings

Materials

Oil

Belle Epoque Beauty - 19th Century Oil Painting Portrait of French Flower Girl
Located in Gerrards Cross, GB
‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910). The painting is signed by the artist and hangs in a fine quality gold metal leaf frame. Academy Fine Paintings...
Category

Late 19th Century French School Portrait Paintings

Materials

Oil

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John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...
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