Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Frederick B. Serger
Polish French Fauvist Judaica Oil Painting Rabbi at Prayer

c.1940s

About the Item

Genre: Impressionist Subject: People Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne with exhibitions protesting the French Academy’s Salon system. A high point in Serger’s career was an exhibition at the famed Bernheim-Jeune in Paris. The Bernheim-Jeune was known for displaying the artwork of premier artists such as Pablo Picasso and Paul Cezanne. Finally, in 1937, the City of Paris Museum purchased one of his paintings to be part of their collection. During the onset of World War II, the Sergers moved several times, possibly in reaction to widespread Anti-Semitism during this period. They lived briefly in England, Panama, Guatemala, and Mexico. Finally, in 1941, they established permanent residence in Manhattan, New York. Serger set up a studio along 57th Street in Manhattan. Once again, he began painting prolifically and exhibiting his artwork in such prestigious galleries as Schoneman, Van Diemen-Lilienfeld and John Heller. His pieces were also displayed in major museums including the De Young Museum in San Francisco, the Museum of New Mexico in Santa Fe, the Springfield Art Museum and the Butler Institute of American Art in Ohio. He studied art in Vienna, and in Munich with the Viennese Secessionists, served with the Austrian Army in World War One, went to Paris where he studied art and became part of the School of Paris (Ecole De Paris) movement, married Helen Spitzer, ( later Helen Serger owner of the Helen Serger, La Boetle Galleries in Manhattan) moved to Scoczow in Poland until 1939, meanwhile exhibiting at many museums in Warsaw, Cracow, Salon de Tuilleries and at the famous Salon d'Automme, both in Paris regularly. In 1936 he had a one-man show at Salon and at Bernheim Jeune in Paris at a gallery historically noted for exhibiting many of the most important modern painters such as Picasso and Cezanne. In 1937 the Museum of the City of Paris purchased a Serger from the Salon d'Automme. In 1939 he moved to England and from there to Panama, Guatemala, and Mexico. In 1941 he established a studio on 57th St. in Manhattan and commenced a long career of exhibiting in New York Galleries such as, Lillenfelt Galleries, John Heller, Schoneman, a one-man show at De Young Museum in San Francisco and at the Museum of New Mexico in Santa Fe, at the Springfield Art Museum, and at the Butler Institute of American Art in Ohio; Serger participated in group shows at the Mint Museum in Charlotte, Springfield Museum in Mass., Isaac Delgado Museum in New Orleans, Academy of Fine Arts in Hartford, Norton Gallery in West Palm Beach, Carnegie Institute of Pittsburgh, Corcoran Gallery in Washington D.C., University of Illinois in Urbana, Pennsylvania Academy of Art, Philadelphia, Detroit Institute of Art, Pennsylvania Academy of Fine Art, Philadelphia, Whitney Museum in New York andin countless other exhibits during the twenty-five years he lived and worked in New York. A listed Woodstock, NY artist. His biography is included in Who is Who in World Jewry and articles on his work appeared in many publications. FREDERICK SERGER HIS LIFE AND WORK by George Stiles published by Schoneman, New York in 1962. He joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements.
  • Creator:
    Frederick B. Serger (1889-1965, American)
  • Creation Year:
    c.1940s
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    minor wear. paint loss around edge where it was under frame.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38213146452

More From This Seller

View All
the Rabbi's Cheder Test Hungarian Judaica Oil Painting
By Nandor Vydai Brenner
Located in Surfside, FL
Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Nandor Brenner Viday, Born in Budapest, Hungary in 1903, date of death u...
Category

Early 20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Wisdom of King Solomon Rare Biblical Hungarian Judaica Oil Painting
By Anton Peczely
Located in Surfside, FL
Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...
Category

Early 20th Century Post-Impressionist Figurative Paintings

Materials

Oil, Board

Blessing of the Tzadik (Rebbe) Rare Hungarian Judaica Oil Painting
By Anton Peczely
Located in Surfside, FL
Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...
Category

Early 20th Century Post-Impressionist Figurative Paintings

Materials

Oil, Board

Rare French, Paris 1935 Judaica Oil Painting Rabbis Studying S. Fleischman
Located in Surfside, FL
Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kleinman and Itshak Holtz the artist captures this Jewish scene with a particular sensitivity. Part of the Ecole De Paris The term "School of Paris" was used in 1925 by André Warnod (fr) to refer to the many foreign-born artists who had migrated to Paris. School of Paris artists were progressively marginalized. Beginning in 1935 art publications no longer wrote about Marc Chagall, just magazines for Jewish audiences, and by June 1940 when the Vichy government took power, School of Paris artists could no longer exhibit in Paris at all. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miró, Constantin Brâncuși, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The "core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism." One account points to the 1924 Salon des Indépendants, which decided to separate the works of French-born artists from those by immigrants; in response critic Roger Allard (fr) referred to them as the School of Paris. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa Nordau...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Oil, Board

Japanese Fauvist Colorful Oil Painting Chinese Ceramic Jars with Fan and Apple
Located in Surfside, FL
Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...
Category

1980s Fauvist Interior Paintings

Materials

Canvas, Oil

Large Modernist Oil Painting Card Poker Player Aaron Fink Pop Art Americana
By Aaron Fink
Located in Surfside, FL
Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...
Category

1980s Pop Art Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Looking at the World
By Paula Craioveanu
Located in Santa Monica, CA
Oil on canvas
Category

21st Century and Contemporary Fauvist Interior Paintings

Materials

Canvas, Oil

Looking at the World
$3,040 Sale Price
20% Off
"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...
Category

1960s Fauvist Interior Paintings

Materials

Canvas, Oil

Woman in rocking chair oil on canvas painting fauvism nude
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...
Category

1970s Fauvist Figurative Paintings

Materials

Oil, Canvas

bathers (the kiss), female nude figures indoor pool green grey tones
By Stephen Basso
Located in Brooklyn, NY
female bathers by visionary artist Stephen Basso
Category

Early 2000s Fauvist Figurative Paintings

Materials

Canvas, Oil

"What about stereotypes?" 2 in the triptych. Decorative social art
Located in Zofingen, AG
The second work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...
Category

2010s Fauvist Figurative Paintings

Materials

Canvas, Oil

What about stereotypes? 1 in the triptych. Female silhouette
Located in Zofingen, AG
The first work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were presen...
Category

2010s Fauvist Figurative Paintings

Materials

Canvas, Oil

Recently Viewed

View All