Frederico Andreotti

"Music in the Parlor" 19th century antique realism oil painting on, Signed

Circa 1880

Provenance: Private Collection Atlanta, GA Estate sale Everard Gallery, Savannah, GA, Private Collection Callen Estate, Savannah GA 2018 Description: The painting is signed on the lower right side. Francesco Beda (1840-1900) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Italy, Beda displayed a natural talent for art from a young age and received formal training in painting. He developed a distinctive style characterized by meticulous attention to detail, vibrant colors, and a keen eye for capturing the essence of his subjects. One of Beda’s notable oil paintings on canvas is titled “Musical Interlude.” This masterpiece measures 24×36″ and bears the artist’s signature. The painting showcases Beda’s exceptional skill in depicting textures, colors, and architectural details with stunning realism. In “Musical Interlude,” Beda transports the viewer to a scene of musical entertainment in the 19th century. The bold and vibrant colors of the dresses and period-style clothing evoke the richness and elegance of the time. Beda’s attention to fabric texture allows the viewer to almost feel the weight and flow of the garments through their eyes. The interior architecture depicted in the painting reveals Beda’s mastery in capturing delicate details. The beautifully painted marble column and intricately carved wood chair...

Description: Fabio Fabbi: A Master of Orientalist Intrigue The painting is signed on the bottom left side. Fabio Fabbi, an esteemed Italian artist of the late 19th and early 20th centuries, emerged as a prominent figure within the Orientalist art movement. Born in Rome in 1861, Fabbi’s passion for capturing the exotic and mysterious landscapes and cultures of the East would define his artistic career and leave an indelible mark on the art world. Fabbi’s artistic journey began with formal training at the Accademia di Belle Arti in Rome, where he developed a deep appreciation for classical techniques and aesthetics. However, it was his encounters with Orientalist themes and subjects that ignited his imagination and set him on a path to becoming a renowned master of Orientalist art. One of Fabbi’s most captivating works, “Harem Girls in the Palace Courtyard,” stands as a testament to his exceptional talent for depicting scenes of intrigue and sensuality within the luxurious settings of the Ottoman Empire. This mesmerizing painting invites viewers into the opulent world of a harem, where a group of beautiful women gracefully gather in a sunlit courtyard. Fabbi’s brushwork skillfully captures the vibrant colors, exquisite textiles, and intricate architectural details that define the environment. In “Harem Girls in the Palace Courtyard,” Fabbi delves into the alluring realm of the harem, exploring the interplay between power, desire, and secrecy. With meticulous attention to detail, he captures the expressions and body language of the women, evoking a sense of mystery and sensuality. The play of light and shadow adds depth and dimension to the composition, further immersing viewers in the rich atmosphere of the scene. Fabbi’s ability to weave narratives within his artworks sets him apart. “Harem Girls in the Palace Courtyard” not only showcases his technical skill but also tells a story—a glimpse into a hidden world that fascinates and captivates. Through his artistry, Fabbi offers a nuanced portrayal of Eastern culture, emphasizing the beauty and complexity that lie beneath the surface. Throughout his career, Fabio Fabbi gained recognition and admiration for his Orientalist works. His paintings were exhibited in prominent galleries across Europe, where audiences marveled at his ability to transport them to distant lands and evoke a sense of wonder and intrigue. Fabbi’s talent for capturing the essence of Orientalist themes and his exquisite attention to detail earned him a place among the most respected artists of his time. Fabio Fabbi’s legacy lives on through his remarkable artworks. His ability to portray the mysteries and allure of the East continues to inspire and captivate art enthusiasts worldwide. “Harem Girls in the Palace Courtyard” exemplifies Fabbi’s mastery of the Orientalist genre, inviting viewers to step into a world of beauty, enchantment, and hidden desires. His paintings exhibited at prestigious venues in Turin and Milan. Knighted in the Order of the Crown of Italy in 1892. Notable works include the Sacred Heart...

Antique late 19th century Italian oil on canvas painting "The Music Lesson," signed "Adriano Cecchi," (1850-1936).

An Elegant Musical Party in an Interior’ attributed to Gillis van Tilborgh, oil on canvas depicting a Dutch genre scene with figures dressed in rich silk clothing, fine lace ruffs and fichu collars grouped round musicians playing a clavichord, a fiddle and a flute, some couples holding hands or sitting close together and a baby playing on the floor, with a plaque reading ‘Gerard Terburg 1608-1681’, the reverse with a chalk notation ‘Ld Hesketh’. Dutch, circa 1870. Provenance: George, 3rd Earl of Pomfret (1768-1830), or his brother The Hon. Thomas Fermor, later 4th Earl of Pomfret (1770-1833), Easton Neston. Thence by descent, Lord Hesketh, Easton Neston. His Sale, Sotheby’s London, 17-19 May 2005, lot 82. Private Collection. Literature: George Baker...